77 5 Anglophone Franchophone Hispanicophone Sinophone Sinophone phone 6

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1 I1 A Sinophone Shu- mei Shih 2007 Visuality and Identity Sinophone Articulations Across the Pacific eternal validity 2 1 Anglo- phone 3 Francophone Hispanophone Chinese diaspora Lusophone essential Chineseness 4

2 77 5 Anglophone Franchophone Hispanicophone Sinophone Sinophone phone 6

3 Sinophone Literature primordialism constructionlism Benedict Anderson nation state 18

4 79 White 1969 Fredrik Barth Ethnic Groups and Boundaries 輥輯訛 Hayden

5 / / Ashis Nandy Franz Fanon 1950 輥輰訛

6 81 輥輴訛 / 輥輵訛 / JosephR.Levenson 輥輱訛 contracting 19 輥輲訛 1912 / 1949 imaginary/imaginative 輥輶訛 sgents 1900~1918 輥輷訛 simultaneity 輦輮訛輥輳訛 18

7 輦輲訛輦輯訛輦輰訛輦輳訛 / 輦輴訛 colonial nationalism 輦輵訛 20 輦輶訛輦輷訛輦輱訛

8 83 輧輮訛輧輱訛輧輯訛 3000 輧輲訛 20 輧輰訛

9 long- distance nationalism 輧輴訛 /internet nationalism Imagined Communities 輧輳訛 Dipesh Chakrabarty 輧輵訛 dismantle

10 85 輨輮訛輧輶訛輧輷訛輨輯訛輨輰訛 2014

11 輨輴訛輨輱訛輨輵訛輨輶訛輨輲訛 hailing of nationalism Partha Chatterjee national consciousness 輨輷訛輨輳訛

12 87 regimes of authenticity 輩輮訛輩輲訛輩輳訛輩輯訛輩輰訛 neocolonial untranslatable subcolonialisms ethics 輩輱訛輩輴訛輩輵訛輩輶訛

13 88 华文文学 ( 总第 136 期 ) 为一部由标准性及纯正性的碎片所完成的仿拟之作輩輷訛史书美认为卧虎藏龙由此展示了华语语系所特有的艺术魅力史书美对华语语系的定义体现于她对艺术家与艺术作品的具体解读在本书中, 她分析了两位女性艺术家刘虹与吴玛俐的艺术实践, 并通过二者的比较, 阐述了她对华语语系文艺实践的理解与期待史书美认为来自中国大陆的美籍女性艺术家刘虹的艺术实践至少具有四重意义, 除了以女性主义对抗中国的父权制度, 以自由主义对抗毛主义国家, 同时还表现了少数主体的对抗和对与西方凝视的对抗史书美式的批判政治学火力全开, 以去中心化与反殖民为旗帜, 不仅再一次通过表达对权力边缘的差异弱者的尊重而完成了对全球文化多元主义的重申, 另一方面, 她提醒我们警惕在以美国为中心的全球资本主义中, 强调差异的多元文化已经遭到了商品化輪輮訛的危险难能可贵的是, 当史书美挥舞批判的大纛快意恩仇时, 她并没有放弃对自己批判立场的警惕她指出 : 为批判而批判并不总是合乎伦理当抵抗与批判这类词汇成为预设的情节, 他们就能够被不同的策略与目的所利用政治的内容与时俱进, 策略当然也应是如此 ; 一味坚持刻板的反东方主义批判的观点, 很可能成为东方主义而不自知与此同时, 她在提醒艺术家也在提醒自己 : 跨国的华语语系视觉文化也应该体认到在不同的脉络中及在对抗不同的权力中輪輯訛介时, 自身可能存在的抵制与共谋含义正是基于这一立场, 史书美对置身台湾的女性装置艺术家吴玛俐的作品给予了更高的评价在史书美看来, 吴玛俐作品中对所有已知的权威, 包括政治意识形态性别压迫和第三世界的劳工剥削以及上述各项的交叠影响的全面挑战与刘虹的作品非常近似, 但吴玛俐的作品还表达了她对台湾社会当局和其性别偏见 (sexism) 的文化政治与社会批判这一批评立场将吴玛俐与其他跨国的艺术家电影制片人和作家们区分开来吴玛俐拒绝表达政治或文化寓言, 选择用艺术表现针对本地消费本地观点的在地批判, 揭示被遮蔽的真相由于台湾是美国的政治盟友, 以及台湾经济繁荣的原因, 很多人以为台湾没有什么特别悲惨的輪輰訛历史 ( 即使这样的历史确实存在 ) 在史书美看来, 拒绝将批判本身本质化的唯一有效方式就是将批判历史化因此, 尽管在两位女艺术家的作品中都出现了政治批判, 但因为情景不同, 意义也不一样 : exiled subject self- conscious a place of consequence ethicality 輪輱訛史书美据此表达了对那些靠提供中国性的文化标志和符号的艺术家的批评和不满徐冰的天书系列和谷文达以中国书法进行创作的作品, 均以解构和批判中国传统 ( 儒家思想或毛泽东主义 ) 形式为他们的概念作品的核心, 刘虹的最后王朝油画系列则以满清王宫的场景表现对缠足这一中国文化符号的批判, 这些被海外华人文艺屡试不爽的题材, 这类很容易被辨识为中国艺术品的作品, 包括一直盛行不衰的后革命时代的创伤叙事, 以及将中国符码化的东方主义写作等等, 在史书美看来,

14 89 essentialized 輪輲訛輫輮訛 self- authenticating 輫輯訛輪輳訛 self- exoticization self- Orientalization other- directed 輪輴訛 transformative 輫輰訛 social practice identity in global capitalism Renee Green Hybridity 輪輵訛輪輶訛 externality 輪輷訛

15 aesthetis of existence 輫輱訛 Aijaz Ahmad Arif Dirlik In this sense theory does not express, translate or serve 輫輲訛 to apply practice: it is practice 輥輰訛輧輱訛輨輷訛輩輮訛輩輯訛輩輰訛輩輱訛輩輲訛輩輳訛輩輴訛輩輵訛輩輶訛輩輷訛輪輮訛輪輯訛輪輰訛輪輱訛輪輲訛輪輳訛輪輴訛輪輵訛輪輶訛輪輷訛輫輮訛輫輯訛輫輰訛 SHU- MEI SHIH, Visuality and identity:sinophone articulations across the Pacific, Berkeley & Los Angeles:University of Califonia Press,2007,p.4; pp ; p. 31; p.3; p.5; p.137; p.184; pp ; p.183; p.164; p.155; p.15; p.39; p.38; p.6; p.5; p.39; p.5; p.63; p.85; p.178; p. 179; p.175;p.76; p.180; p.28; p.166; p.20; p.30; p.164; p 輧輰訛輥輯訛輥輳訛輥輴訛輥輵訛輦輯訛輦輰訛輧輲訛輥輱訛 Joseph R.Levenson, Confucian China and Its Modern Fate, vol,1. Berkeleyr & Los Angeles: University of California Press,1968,p.103. 輥輲訛輦輵訛輦輶訛輦輷訛輧輯訛輨輲訛輨輵訛輨輶訛輥輶訛輥輷訛輦輮訛輦輱訛 Gayatri Spivak, On the Politics of Subaltern, Socialist Review, Vol.23,No , p.94. 輦輲訛輧輶訛 W 輦輳訛輦輴訛輧輮訛 2003

16 91 11 輧輳訛輧輴訛輧輵訛 Dipesh Chakrabarty, Provincislizing Europe: Postcolonial Thought and Historical Difference, Princeton University Press, 2000, p.352. 輧輷訛輨輮訛輨輯訛輨輰訛輨輱訛輨輳訛 Partha Chatterjee, Whose Imagined Community, The Nation and Its Fragments-colonial and pastcolonial histories, Princeton University Press,1993,p.5. 輨輴訛 Michel Foucault, Remarks on Marx, New York: Semiotext e, 1991, pp 輫輱訛 Lois Mcnay, Michel Foucault, Polity Press, p.149. 輫輲訛 Michel Foucault. Intellectuals and Power: A conversation between Michel Foucault and Gilles Deleuze, Language, Counter-Memory, Practice: selected essays and interviews, edited by Donald F. Bouchard, p.208. Sinophone and the Imagined Community : the China Identity in the Deconstructed Field of Vision Abstract: Sinophone and the Imagined Community, its theoretical facsimilie, are part of the theoretical practice in the Western Post- studies, whose theoretical insights and blind vision are dependent upon the pedigree knowledge of the Post- studies methods and problem awareness. Concepts of China, West and world as appear in this area are unreadable with theoretical systems that we are familiar with, such as liberalism, nationalism or Marxism. Our dialogue with Sinophone not only involves the artists, named as part of Sinophone or literatures written in Chinese, and the affirmation of the artistic values of their work, but is also concerned with such core issues of contemporary identity politics as Who am I? and What is China?, that is related to the structure of our sentiments, historical memory and concerns with the realities in a globalized age of constant change. Keywords: Sinophone, the Imagined Community, post- colonial, discourse, power

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