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2015 1 137 1 2 3 4 5 6 7 8 9 10 瑏瑡 瑏瑢 瑏瑣 瑏瑤 brary and Calvino's Traffic in Literary Philosophers Borges Calvino Eco p. 158. Wladimir Krysinski Borges Calvino Eco The Philosophies of Metafiction in Literary Philosophers Borges Calvino Eco eds Jorge 瑏瑧 187 J. E. Gracia Carolyn Korsmeyer and 瑏瑨 Rodolphe Gasché New York Routledge 2002 p. 193. 138 - - 瑏瑩 270 1996 303 瑐瑠 - - 280 303 瑐瑡 194 135 181 127 Lois Parkinson Zamora Borges' monsters Unnatural wholes and the transformation of genre in Literary Philosophers Borges Calvino Eco p. 56. 336 1438. - - 瑐瑦 Umberto Eco Between La Mancha and Babel in On Literature Orlando Harcourt 2004 p. 105. 308 - 瑐瑧 1999 167 170 306 瑐瑨 312 121-122 瑐瑩 154 Wladimir Krysinski Borges Calvino Eco The Philosophies of Metafiction in Literary Philosophers Borges Calvino Eco p. 191. Oscar Antonio Di Marco Borges the Quantum Theory and Parallel Universes in The Journal of American Science 2 1 2006 pp. 1-30. 瑏瑥 瑏瑦 瑐瑢 瑐瑣 瑐瑤 瑐瑥 瑑瑠 瑑瑡 - - 308 Henry Sussman The Writing of the System Borges's Li- 162 1999 58 Anthony Cascardi Mimesis and Modernism The Case of Jorge Luis Borges in Literary Philosophers Borges Calvino Eco p. 120. Ann Charters ed. The Story and Its Writer An Introduction to Short Fiction Boston Bedford /St. Martin's 1999 p. 182 Umberto Eco Reflections on The Name of the Rose London Secker & Warburg 1985 p. 28. Umberto Eco Borges and My Anxiety of Influence in On Literature pp. 118-135. 122

a psychological perspective against the so-called myth of rationality as created by Defoe Tournier believes that perversion is the inevitable outcome of living in a world without Other. Thus he decenters the subjectivity of the mythical figure. While focusing on the phenomenon of perversion Tournier is enticed to create a new myth of his own by drawing largely upon the concept of the City of the Sun which however leads to discrepancies in narration. Nevertheless on account of its philosophical implications Friday is still considered as one of the best re - visions of the Robinson Crusoe myth. The Source of Terror Interpretation of the Liminal Space in The Heart Is a Lonely Hunter TIAN Ying Carson McCullers an American Southern woman writer has always been concerned with time and space. The sense of terror runs through her first novel The Heart Is a Lonely Hunter. However the source of terror seems to be nowhere to be found which is very perplexing to readers. In this novel by means of the interactions and the transformations between the real and the imaginary McCullers constructs the liminal space which is neither here nor there. In the light of images of the liminal space such as the mirror the inside room the outside room and so on the author makes a breakthrough in a temporal master - narrative by the spatialization of time and the spatial narratives to expose the dreadful life of the marginalized people in the Southern American society. The experiences of the liminal space incarnate the living experiences. McCullers s concern with the liminal space shows that she offers an insight into the plight and identity of the Other in the Southern American society. Therefore we have tracked down the source of terror terror comes fundamentally more from space than from time. Maze Images in Borges s Novels WANG Qinfeng Borges author of many maze novels is the most successful and representative maze novelist in literary history. His maze novels set up a large number of maze images forming images of space maze time maze and letters maze. His space maze and time maze reveal the existential theme the world is a maze. And the letters maze becomes an introspective means of meta - fiction of Borges and a metaphor of Borges theory of literary essence. Borges maze images and maze novels express existential anxiety. Form of Dialogue and Anxiety of Identity A Rereading of The Wanderings of Oisin OU Guang an At home and abroad the study of W. B. Yeats narrative poetry has been neglected. Even some scholars consider that such early poems as The Wanderings of Oisin are insignificant. Actually things are not like that because in writing the poem Yeats knowingly began to investigate how to present themes better by reforming the forms of poetry. In rereading the poem it can be found that in presenting the inefficient dialogue between different value entities and in listing different value entities Yeats demonstrated his anxiety about how to present Irish national identity by demonstrating anxiety about his own artistic i- dentity. 159