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1 AP CAMP 101 The Swing Jean-Honoré Fragonard 1767 C.E. Oil on canvas casting sheep's eyes The Swing Wallace Collection, London, UK/The Bridgeman Art Library 204 AP weixin: usapcamp

2 18 Rococo Monticello 102 Virginia, U.S. Thomas Jefferson (architect) C.E. Brick, glass, stone, and wood Neoclassicism 205 AP weixin: usapcamp

AP CAMP 6 120 The Starry Night Vincent van Gogh 1889 C.E.

3 AP CAMP The Starry Night Vincent van Gogh 1889 C.E. Oil on canvas cypress tree primeval chaos Saint-Remy set off have a distinctivestyle violet The Starry Night Digital Image The Museum of Modern Art/Licensed by SCALA/Art Resource, NY illusion 232 AP weixin: usapcamp

4 Post-Impressionism deep and strong colors 121 The Coiffure Mary Cassatt C.E. Drypoint and aquatint humps her back S 233 AP weixin: usapcamp

5 AP CAMP S Yamato-e Parisian bourgeois and working class The Coiffure Used by Permission 122 The Scream Edvard Munch 1893 C.E. Tempera and pastels on cardboard terror and bloody made us suffocate 234 AP weixin: usapcamp

6 hysterically Expressionism Pessimistic color 15 The Scream Digital Image Bridgeman Art Library 2013 The Munch Museum/The Munch- Ellingsen Group/Artists Rights Society (ARS), New York 235 AP weixin: usapcamp

AP CAMP 123 Where Do We Come From? What Are We? Where Are We Going? Paul Gauguin 1897 1898 C.E.

7 AP CAMP 123 Where Do We Come From? What Are We? Where Are We Going? Paul Gauguin C.E. Oil on canvas Where Do We Come From? What Are We? Where Are We Going? Photograph 2013 Museum of Fine Arts, Boston 236 AP weixin: usapcamp

8 Henri Matisse 1912 C.E. Oil on canvas complementary colors complementary colorfauvism 1905 Alexander Burkatovski/Corbis 249 AP weixin: usapcamp

9 AP CAMP tense fins brushstrokes distorted relaxation from fatigue Fauvism 132 Improvisation 28 Vassily Kandinsky 1912 C.E. Oil on canvas Abstraction inner harmonious jade 250 AP weixin: usapcamp

10 Improvisation 28 (second version) Digital Image The Bridgeman Art Library 2013 Artists Rights Society (ARS), New York/ ADAGP, Paris 133 Self-Portrait as a Soldier Ernst Ludwig Kirchner 1915 C.E. Oil on canvas Expressionism amputatednude model 251 AP weixin: usapcamp

AP CAMP self-amputation potential injury The BridgeFriedrich Nietzsche metaphor primitiveart folk art Self-Portrait as a Soldier Allen Memorial Art Museum, Oberlin College,

11 AP CAMP self-amputation potential injury The BridgeFriedrich Nietzsche metaphor primitiveart folk art Self-Portrait as a Soldier Allen Memorial Art Museum, Oberlin College, Ohio, USA/Charles F. Olney Fund/The Bridgeman Art Library 134 Memorial Sheet for Karl Liebknecht Käthe Kollwitz C.E. Woodcut 252 AP weixin: usapcamp

12 AP CAMP The Two Fridas Frida Kahlo 1939 C.E. Oil on canvas 143 talisman Self-projection AP weixin: usapcamp

The Two Fridas Schalkwijk/Art Resource, NY 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York 1954 141 The Migration of the Negro, Panel no.

13 The Two Fridas Schalkwijk/Art Resource, NY 2013 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F./Artists Rights Society (ARS), New York The Migration of the Negro, Panel no. 49 Jacob Lawrence C.E. Casein tempera on hardboard 263 AP weixin: usapcamp

TAK OI SECONDARY SCHOOL

13-14 SYL / Visual Arts / P1. of 10 TAK OI SECONDARY SCHOOL 2013-2014 VISUAL ARTS SYLLABUS AIMS 1. To encourage students participation in the enjoyment of creating things. 2. To stimulate the imagination