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2009 4 輦輮訛 輦輯訛 輦輰訛 輦輱訛 輦輲訛 輦輳訛 輦輴訛 輦輵訛 86
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2009 4 輧輴訛 輧輵訛 輧輶訛 輧輷訛 90
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2009 4 輨輶訛 1 2 2008 625 27 20091 1992 1992 1994 1994 I&II 1994 1994 1996 1996 1997 1997 1997 1997 1997 3 輨輰訛 Helen Hok-sze Leung, Queerpspaces in Contermporary Hong Kong Cinema, in Esther M. K. Cheung and Chu Yiu-wai (eds.), Between Home and World Hong Kong 4 Oxford, 2004, pp. 459-483, p.473. Crisis Cinema Helem Kok Leung queer space 90 Rey Chow Cf. Rey Chow, Nostalgia of the New Wave: Structure in Wong Kar-wai s Happy Together, in Esther M. K. Cheung and Chu Yiu-wai (eds.) Between Home and World, pp. 127-146 5 Cf. Richard Dyer, Stars. London: British Film Institute, 1979, 1998 2nd 6 7 8 9 Richad Dyer, Heavenly Bodies: Film Stars and Society, London: Routledge, 2004 137-190 (1986)pp. Jackie Stacey, Feminist Fascinations: Forms of Identification in Star-audience Relations, in Christine Gledhill (ed.), Stardom: Industry of Desire, New York: Routledge, 2003 (1991), pp.141-166. Andrea Weiss, A Queer Feeling When I Look at You: Hollywood Stars and Lesbian Spectatorship in the 1930s, in Christine Gledhill (ed.), Stardom: Industry of Desire, pp. 283-300. 1910 1945 94
10 輥輯訛輥輱訛 輥輰訛輦輳訛輨輴訛 2004 I, 1978 91 2005 236 237 2008 2008 152 52 輥輲訛 I 1978 91 46 輥輳訛 II 1991-95 48 輥輴訛輥輵訛 1991 II 1991-95 38 37 輥輶訛輥輷訛 2003414 20 輦輮訛 1993 輦輯訛 輦輰訛 輦輱訛 輦輲訛 輦輴訛 輦輵訛 輦輶訛 輦輷訛 輧輮訛 輧輯訛 2008105 2007 10 28 1990 1995 2003 169 178 1991 95 7 1993 200738 II 1991 95 115 117 II 1991 95 117 119 ET The One and Only Leslie Cheung 2003 64 65 1910 1945 56 60 輧輰訛 1994 397 II 1991 95 249 輧輱訛 輧輲訛 輧輳訛 輧輴訛 輧輵訛 輧輶訛 輧輷訛 輨輮訛 1994725 II 1991 95 247 III 1996 2002 2007 249 1997 475 1992 2002 157 158 Mattew Tang) 1994 405 2003 65 74 1997 495 III, 1996 2002 163 165, 1996 2002 161 163 95
2009 4 輨輯訛 輨輱訛 輨輲訛 輨輳訛 The One and Only Leslie Cheung 44 45 Resuridaisuki III, 1996 2002 252 253 2008317 輨輵訛 / 2000 輨輶訛 2005!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!"!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!"!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!"!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!" 96