5 Amoretti Twelfth Night Robert Herrick To the Virgins to Make Much of Time 9 6 Andrew Marvell Edmund Waller 10 / / 瑏瑡 63

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1 * DOI: /j.cnki.cn /i carpe diem 1 Horace Catullus * 13YBB03 62

2 5 Amoretti Twelfth Night Robert Herrick To the Virgins to Make Much of Time 9 6 Andrew Marvell Edmund Waller 10 / / 瑏瑡 63

3 瑏瑢 109 瑏瑣瑏瑤 64

4 Clapp-Itnyre Ida 瑏瑥 Marion Shaw 65

5 瑏瑨瑏瑦瑏瑧瑏瑩 66

6 53 Miss Havisham All the Year Round 1861 瑐瑠瑐瑡瑐瑢

7 La Belle au bois dormant 瑐瑣瑐瑤 Harry Stone 瑐瑥瑐瑦

8 78 瑐瑩 Charlotte Yonge Medea An Appeal Against Female Suffrage 瑑瑠瑑瑡瑑瑢 John Stuart Mill The Subjection of Women 瑐瑧 Kate Millett Sexual Politics Christina Rossetti The Letters of Christina Rossetti Vol. 1 ed. Antony H. Harrison Charlottesville The University Press of Virginia 瑐瑨 M. H. Abrams A Glossary of Literary Terms Fort Worth 69

9 瑏瑡瑏瑢瑏瑣瑏瑤瑏瑥瑏瑦瑏瑧 Harcourt Brace College Publishers 1999 p. 31. Horace The Complete Odes and Satires of Horace trans. Sidney Alexander Princeton Princeton University Press 1999 p Joseph J. Moldenhauer The Voices of Seduction in To His Coy Mistress A Rhetorical Analysis Texas Studies in Literature and Language p 瑐瑢瑐瑣 To His Coy Mistress 1681 Go lovely Rose 1645 Christina Rossetti The Complete Poems of Christina Rossetti A Variorum Edition Vol. 1 ed. R. W. Crump Baton Rouge Louisiana State University Press 瑐瑤瑐瑥 Harry Stone Dickens and the Invisible World p 瑐瑩 Mary Arseneau Recovering Christina Rossetti Female Com munity and Incarnational Poetics New York Palgrave Mac- Alisa Clapp - Itnyre Marginalized Musical Interludes Tennyson s Critique of Conventionality in The Princess Victorian Poetry p Marion Shaw Alfred Lord Tennyson Atlantic Highlands Humanities 1988 p. 47. Alfred Tennyson Tennyson s Poetry ed. Robert W. Hill London W. W. Norton 1999 pp 瑏瑨 Alfred Tennyson Tennyson s Poetry p 瑏瑩 Jan Marsh Christina Rossetti A Literary Biography Lon- don Jonathan Cape 1994 p 瑐瑠瑐瑡 Harry Stone Great Expectations The Fairy - Tale Transformation Dickens and the Invisible World Fairy Tales Fantasy and Novel - Making London Macmillan 1980 pp 瑐瑦 Harry Stone Dickens and the Invisible World p 瑐瑧瑐瑨瑑瑠瑑瑡瑑瑢 Millan 2004 p Jack Zipes Madonna Kolbenschlag 70

10 as a result of the tribunes plot Coriolanus becomes a lonely dragon thirsting for revenge. Indeed he would destroy Rome were it not for the love for his mother his wife and his little son. In the triple mirror of love he recognizes his former self i. e. Rome s lover. Together with this recognition follows a new resolution and the revolution of his fate he is killed as a traitor by his enemy - ally whereby he redeems his former identity and fulfils his virtue i. e. love for his polis. Lady Macbeth s Child and the Revised History XU Jia In Act I scene vii of Macbeth Lady Macbeth mentions that she has given suck yet her child has never appeared on stage which arouses discussions on whether the child is a symbol a historical existence or just Shakespeare s mistake in haste. This paper starting from this child explores a revised history from the viewpoint of early modern English family concepts and argues that through this child s contradictory and puzzling existence Shakespeare makes an unholy family for Macbeth destroys step by step Macbeth s legitimacy claimed in Holinshed s Chronicles and eventually rewrites the history. Temporal and Spatial Mode in Paradise Lost and Seventeenth - century Cosmology LUO Shimin In reading Paradise Lost readers go through a whole process beginning with Creation followed by Fall and ending with Salvation which turns reading into a movement in time as well as in space extending from Heaven to Eden and to Hell. This movement on the horizontal level of time and the vertical level of space presents a cross - shaped image of Cosmic Axis which refers to a structure of literary metaphor. The literary Cosmic Axis is the core structure of Milton s literary cosmos built with the poet s poetic imagination. This self - contained cosmos expresses the mode of literary imagination and the mode of being owned by the poet and his age in the two dimensions of time and space. The Revival of Imagination and Romance in the Mid-18th Century and The Castle of Otranto SHAO Ling On a close study of the prefaces of The Castle of Otranto published respectively in 1764 and 1765 this essay argues that the implicit continuities between the two versions highlight what Horace Walpole intends to achieve with gothic story namely to create a new way of writing by combining Gothic imagination with a truth - rendering mimetic effect. It places Walpole s conceptions along the mid-18thcentury English novel writing and criticism in which the discourse of imagination and romance was gaining strength and shows how The Castle of Otranto fulfills what its author envisions. The Transcendence of Victorian Views on Love An Intertextual Study of Prince s Progress YUAN Xin Rossetti s The Prince s Progress is rich in intertextual elements. Unless one scrutinizes them one 157

11 cannot fully grasp the Victorian period connotations of the poem. The interpretation of the poem simply as a Christian allegory is far from adequate. This essay explores the probable hidden messages beneath the simple surface of this long fairy-tale poem. Investigation of the multiple pre-texts that Rossetti may have reinscribed in this poem reveals how she attempts to enter into the social debates of her day and succeeds in transcending the dominant values of the mid-victorian period notions of love. The Dilemmas of Women s Writing and Publication An Interpretation of Constance Fenimore Woolson s Miss Grief LI Jin Although American women s writing thrived in the latter half of the 19th century men still controlled the publishing industry. Constance Fenimore Woolson was one of the 19th-century American women writers who revealed in their tales about writers the social bias against female authorship. Her often-anthologized Miss Grief delineates the checkered journey that the female writer protagonist undertakes in seeking a literary marketplace for her works. Subtext of Poem Painting Simulation Bristol Board LI Jiana Poem was written by Bishop when she was 61. It has been regarded as about the relationships of history vs. present art vs. life painting vs. poetry or about family relationship etc. After decoded it is rediscovered that Poem cracks between text and subtext. Poem is actually an elaboration of Bishop s aesthetics of creation Poetry seeks after dimensions of painting and tangible details Poetry simulates reality but is not identical to it Poetic form must be a Bristol board. These ideas provide us with the valuable first-hand data to access the artistry of Bishop s poetry. The Waste Land and the Tarot Pack CHEN Qingxun By introducing the Tarot pack into The Waste Land Eliot sets up rich and unique symbolic systems in the poem orchestrating the seemingly fragmented and chaotic imagery into order and structure. Although often claimed as the deep intrinsic structure of the poem the Grail legend is much too concealed to work alone without the interplay of the tarot cards acting as its visible representation and extrinsic structure. Meanwhile as a reflection of Eliot s contemporary culture and his personal religious pursuit the tarot cards are interwoven with classic literature thus substantially broadening both the content and the form of his poetry. Young England Middle-class Fluidity in Two Middlebrow Novels JIN Xiaotian In the interwar years the growing number of English lower-middle classes substantially augmented the group of middle classes changing its composition and culture with the altered structure. In the 158

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/ / must be / verisimilitude / 80 61 1. 2. 3. DOI:10.16345/j.cnki.cn11-1562/i.2015.03.010 1911-1979 1945 North and South 1979 4 17 / 1983 Lloyd Schwartz 30 Poem 10 1 2 79 1972 61 / 3 2 5 1 2015 3 139 70 4 / 70 9 4. 5 5 must be / verisimilitude