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1 詩經興義與現代詩對應美學的線索追探以夏宇詩語言為例探研一詩經興義的現代轉化 ( ) ( ) 1 ( ) b-15a

2 2 3 ( ) (1940-)

3 (1924-) (simile) (metaphor) (metonymy) (symbol) (personification) (synecdoche) (allegory) (objective correlative) 5 ( ) ( ) ( ) 6 (1954-) ( )

correlative) 5 (1198-1241) (1634-1711) (1877-1927) 6

4 a 3413 (1263) (1270)

5 ( ) 烟却 b a

8 21 22 (1956-) ( ) 二賦比興與現代詩的語言結構之間 a

9 23 瘂 (1937-) (1938-) -129-

11 ( B.C.)

12 三夏宇詩語言對應觀念與興義的追探 Salsa CD Salsa

13 31 Salsa ( 一 ) 來自新鮮世界的特質顛覆前人語言系統

14 峯峯

15 ( 二 ) 興與應的結構狀態實物本身的相互指涉 A (1) (2) B -135-

16 (1) (2)

19 ( 三 ) 興應的變體不斷移動中的真相 Salsa

20 Salsa 54 Salsa Salsa

21 (1) (2) (3) (4) (5) (6) (7)

22 (2) (3) (3) (4) (5) (6) 迹 Salsa -142-

23 Salsa 56 四結語興對應與後現代詠

24 Salsa (Baudelaire, ) (Rimbaud, ) -144-

25 詩經興義與現代詩對應美學的線索追探以夏宇詩語言為例探研 Salsa 關鍵詞 : 詩經興應關係對應美學夏宇後現代 -145-

26 From the Notion of Xing to an Aesthetic of Contrasting Focusing on the Exploration of Xia Yu s Poetry YUNG Man-Han After presenting several significations of xing developed by four contemporary theorists (Chen Shixiang, Yie Jiaying, Xu Fuiguan, Jiang Nianfeng), this essay is devoted to suggesting another interpretation more appropriate to a modern viewpoint. Focusing on the operation of the creative dimension, as appropriate to poetry, the notion of xing, from three thousand years ago, distinguishes itself by its particular stimulus-response construction, from which derives the vigorous effect of its language. After surveying the various styles of poets in Taiwan, the essay considers Xia Yu as the most representative of this language phenomenon. (Thus, she is also widely recognized as the central figure in post-modern writing, providing a formative influence for the younger generation.) Following the hierarchy of the poet s artistic concepts, established over four volumes, the essay attempts three conclusions about the nature of linguistic signs from the poetry of Xia Yu: 1. Obliteration of any sense of metaphor abundantly achieved by her previous grand masters. She revives this literary tradition from the Classic of Poetry: realization of the inner image in ordinary, touchable objects. 2. Elements of objects in her poetry are intimately united; each recalls the other, becoming themselves dimensions of the multiplicity. 3. A fresh fabric of the notion xing has been reinvented. Its stimulus-response structure implicates a hyper-adaptive reality that is constantly in moving. On liberation from within the labyrinth of Xia Yu s poetry, the ancient notion of xing is transformed as a novel aesthetic view for post-modern criticism. Keywords: Classic of Poetry Stimulus-Response structure aesthetic of contrasting Xia Yu post-modern -146-

27 徵引書目 Salsa

二兒歌選用情形 ( ) 2 ( ) ( ) 1. 158 2.

二兒歌選用情形 ( ) 2 ( ) ( ) 1. 158 2. 兒歌內容分析 ~ 以台灣省教育廳發行之大單元活動設計內之兒歌為例 ~ 摘要 82 76 158 一兒歌類目的分布情形 ( ) 26 23 22 16 61 38.6 16.5 ( ) 二兒歌選用情形 ( ) 2 ( ) ( ) 1. 158 2. 第一章緒論第一節研究動機 79 第二節研