2015 1 32 1 Journal of Shanghai University Social Sciences Jan. 2015 Vol. 32 No. 1 doi 10. 3969 /j. issn 1007-6522. 2015. 01. 005 200241 - J912 A 1007-6522 2015 01-0077-15 1 2014-09-01 1953-1 2010 1 213 77
1119 1 2012 9 2751 3 4 1 1895 78 2015
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2015 196 - - - - 544-155 157 - - - 1123 80
1 - - - 1143 8-1178 - 9-1198-199 - - - - - - 1145 - ASA - - SAS - - 1147-10 1263 - - - - - 81
2015 1-11 12 2414-415 - 1148 0-2414 1-0 2-3 - 4 - - 5-6 - 1 2007 7 247 1 126 82
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2015 - - - - - - - - - - - - - - 2451-2453 - 2454 - - 1. 1 - - - M.. 2003. 2. 2 - -M.. - 2003. 90
1 3. M.. 2000 264. 4. M.. 2007 379. 5. 11. M.. M.. 2010. 6. 12. M. J. 2013 550-56. J. 2011 3117-122. M/ /... 15. M. 1992 259-273. 9. M. 2012 204-213. 10. M/ /... 2006 465-487. 1980 102. 2012 164. 13. M. 7.. 1958. 14. M. 8 -.. 2006.. 1999. Looking around ImagesAn Interpretation of Gilles Deleuze s Image Classification Theory NIE Xin-ru School of Journalism & CommunicationEast China Normal UniversityShanghai 200241China Abstract The key to understanding Deleuze s film classification theory is to comprehend his philosophy of differentiation. In the light of this philosophydeleuze classifies film images into two categories motion images and time images. As the two set of images are placed in differentiated thinking images appear to be realistic and objective on one handand potential and subjective on the other. Rightly in the sense of attending to the two conflicting sides Deleuze develops his unique film image classification systemaccording to which images are basically classified on the principles of time and space. Nevertheless highly abstract philosophical propositions are hard to be integrated into real-life film imagesnot to say conduct effect management. It is evident that Deleuze establishes his own film theory system by taking account of documentary aesthetics while considering philosophical images. In view of this the relations of classification is in some sense the relation between documentary aesthetics and philosophyand the transition between the two is the result of subtle coordination between observation or interpretive description and philosophical thinking. Key words film theory images Deleuze 91