2007 9 121 148 詩 經 興 義 與 現 代 詩 對 應 美 學 的 線 索 追 探 以 夏 宇 詩 語 言 為 例 探 研 一 詩 經 興 義 的 現 代 轉 化 (574-648) (1130-1200) 1 (1912-1971) 1 2001 5 14b-15a 1961 2001 91-117 -121-
2 3 (1955-1996) 4 2 1972 237 249 (1940-) 3 1993 1990 1-46 4-122-
(1924-) (simile) (metaphor) (metonymy) (symbol) (personification) (synecdoche) (allegory) (objective correlative) 5 (1198-1241) (1634-1711) (1877-1927) 6 (1954-) 465-532 467-519 (1619-1692) 7 2000 100 5 1985 120 146 6 1991 7 1986-123-
8 9 10 11 1992 309-318 8 7 12 2004 95-97 11 9 1 10 1993 3 81 3a 3413 (1263) (1270) 15 1998 11 155-168 11 1987 1996 1994 6 214-220 -124-
(1902-1982) 烟 12 13 却 14 15 1983 1974 4 146-153 12 96 1 13 80 4b 3368 14 5a 3369 15 87-125-
16 17 16 100 17-126-
18 19 20 1997 18 1998 71-99 19 20 70-127-
21 22 (1956-) (1956-1993) 二 賦 比 興 與 現 代 詩 的 語 言 結 構 之 間 21 85 22 80 5a 3369-128-
23 瘂 24 23 (1937-) 140-141 2004 10 99-110 15 2006 12 179-197 24 (1938-) -129-
25 26 1993 25 128 2001 9 114-132 13 2001 10 85-101 26 1 2005 4 181-201 1956 3-4 -130-
(551-479 B.C.) 27 1984 43-45 27-131-
三 夏 宇 詩 語 言 對 應 觀 念 與 興 義 的 追 探 28 29 30 28 Salsa CD Salsa 2 2003 6 2004 65-67 2003 29 4 1998 3 130-145 1993 237-276 30 13 1988 12 7-11 1999-132-
31 Salsa 32 33 ( 一 ) 來 自 新 鮮 世 界 的 特 質 顛 覆 前 人 語 言 系 統 34 31 32 2002 96-97 33 6 2005 11 179-191 34-133-
35 36 37 24 38 峯 39 35 76 36 92 37 94-96 38 1988 68 39 1969 峯 145-134-
( 二 ) 興 與 應 的 結 構 狀 態 實 物 本 身 的 相 互 指 涉 A (1) (2) B -135-
(1) (2) 40 40 1991 22-23 -136-
41 42 43 41 1995 42 43-137-
44 45 44 45-138-
( 三 ) 興 應 的 變 體 不 斷 移 動 中 的 真 相 Salsa 46 47 48 49 50 46 62-63 47 52 48 38-40 49 10 50 83-87 -139-
51 52 53 Salsa 54 Salsa 51 143-169 52 109-110 53 3 54 Salsa 1999 81-140-
(1) (2) (3) (4) (5) (6) (7) 55 55 55-56 -141-
(2) (3) (3) (4) (5) (6) 迹 Salsa -142-
Salsa 56 四 結 語 興 對 應 與 後 現 代 詠 57 58 56 24 57 1979 109-146 58 237-249 -143-
Salsa 59 59 (Baudelaire, 1821-1867) (Rimbaud, 1854-1891) -144-
詩 經 興 義 與 現 代 詩 對 應 美 學 的 線 索 追 探 以 夏 宇 詩 語 言 為 例 探 研 Salsa 關 鍵 詞 : 詩 經 興 應 關 係 對 應 美 學 夏 宇 後 現 代 -145-
From the Notion of Xing to an Aesthetic of Contrasting Focusing on the Exploration of Xia Yu s Poetry YUNG Man-Han After presenting several significations of xing developed by four contemporary theorists (Chen Shixiang, Yie Jiaying, Xu Fuiguan, Jiang Nianfeng), this essay is devoted to suggesting another interpretation more appropriate to a modern viewpoint. Focusing on the operation of the creative dimension, as appropriate to poetry, the notion of xing, from three thousand years ago, distinguishes itself by its particular stimulus-response construction, from which derives the vigorous effect of its language. After surveying the various styles of poets in Taiwan, the essay considers Xia Yu as the most representative of this language phenomenon. (Thus, she is also widely recognized as the central figure in post-modern writing, providing a formative influence for the younger generation.) Following the hierarchy of the poet s artistic concepts, established over four volumes, the essay attempts three conclusions about the nature of linguistic signs from the poetry of Xia Yu: 1. Obliteration of any sense of metaphor abundantly achieved by her previous grand masters. She revives this literary tradition from the Classic of Poetry: realization of the inner image in ordinary, touchable objects. 2. Elements of objects in her poetry are intimately united; each recalls the other, becoming themselves dimensions of the multiplicity. 3. A fresh fabric of the notion xing has been reinvented. Its stimulus-response structure implicates a hyper-adaptive reality that is constantly in moving. On liberation from within the labyrinth of Xia Yu s poetry, the ancient notion of xing is transformed as a novel aesthetic view for post-modern criticism. Keywords: Classic of Poetry Stimulus-Response structure aesthetic of contrasting Xia Yu post-modern -146-
徵 引 書 目 2001 36 1974 4 146-153 1961 6 2005 11 179-191 1983 1969 4 1998 3 130-145 1988 1984 1991 1995 Salsa 1999 1 1999 273-305 2002 2001 20 1993 7 54-62 1998 128 2001 9 114-132 13 2001 10 85-101 140-141 2004 10 99-110 1 2005 4 181-201 15 2006 12 179-198 2004 1972 2003-147-
1956 1979 1994 1985 1991 1993 1993 1977 1987 15 1998 11 155-168 1996 2000 1986 1 1992 1993 13 1988 12 7-11 2004-148-