DOI:10.14111/j.cnki.zgfx.2012.03.010 * 1 2 3 1 2 3 2011 7 13 1990 1 2001 TRIPS 2 2010 WTO 4 1 WTO TRIPS 4 3 20 1 2 3 1 2 3 * 10CFX057 2009 13-23 2001 10 17 WTO 4 2009 4 28
4 5 6 72 128 5 87 92 moving pictures not protected as cinematographic works videogram 7 8 9 瑏瑠 瑏瑡 audiovisual work 瑏瑢 4 5 6 7 8 9 瑏瑠 瑏瑡 瑏瑢 M! 2004 151 4 528 2000 59 95 78b 4 154 Jewelers Circular Pub. Co. v. Keystone Pub. Co. 274 F. 932 at 934 S. D. N. Y. 1921. Kevin Garnett Gillian Davies Gwilym Harbottle ed Copinger and Skone James on Copyright 3-104 Sweet & Maxwell Ltd. 1998. Hugh Laddie etc. The Modern Law of Copyright and Designs 3 rd Edition Butterworths 2000 4. 57. motion pictures 101 29
2012 3 1976 瑏瑣 Bernard Geis Zapruder Zapruder 瑏瑤 OK MV MV MV MV MV 瑏瑥 6 6 6 瑏瑦 瑏瑣 瑏瑤 瑏瑥 瑏瑦 The House Report No. 94-1476 at 52 1976. Time Incorporated v. Bernard Geis Associates 968 293 F. Supp. 130 SYND 1968 at 143. 2004 12 2006 35 30
picture motion pictures 6 瑏瑧 瑏瑨 1990 20 1971 40 10 1 11 瑏瑧 瑏瑨 201 b work made for hire L111-1 31
2012 3 11 1 2 3 瑏瑩 20 70 瑐瑠 2001 瑐瑡 WCT 8 瑏瑩 瑐瑠 瑐瑡 the broadcast of the work broadcast cablecast webcast 3 broadcast Melvile B. Nimmer& David Nimmer Nimmer on Copyright 8. 18 A Matthew Bender & Company 2003. 2011 283 32
瑐瑢 11 10 1 2001 瑐瑣 11 21 10 1992 1992 6 11 瑐瑢 瑐瑣 2002 64 2008 0012 2008 36 2009 0046 33
2012 3 瑐瑤 11 1 2 compulsory license 瑐瑥 1998 Fairness in Music Licensing Act 瑐瑦 瑐瑤 瑐瑥 瑐瑦 1971 2002 56 compulsory license compulsory license compulsory license compulsory license non - voluntary license 17 USC 110 5. 34
瑐瑧 11 1 2 1 2 瑐瑨 2001 4 7 TRIPS 9 2 瑐瑧 瑐瑨 38 3 10 WCT 8 2008 12 45 13 48 WCT 11 48 35
2012 3 瑐瑩 瑑瑠 瑑瑡 瑑瑢 瑑瑣 瑑瑤 瑑瑥 2010 5 瑑瑦 瑑瑧 2011 3 瑐瑩 瑑瑠 瑑瑡 瑑瑢 瑑瑣 瑑瑤 瑑瑥 瑑瑦 瑑瑧 3 A 9 2002 15 33 Sam Ricketson Jane C. Ginsburg International Copyright and Neighbouring Rights The Berne Convention and Beyond 2 nd Edition Oxford University Press 2006 p. 1213 Silke von Lewinski International Copyright Law and Policy Oxford University Press Oxford 2008 p. 197 Stephen M. Stewart International copyright and neighboring rights 2nd Edition Butterworths London 1989 p. 194. Intellectual Property Code L. 212-1. Copyright Act Section 248 A performance. Owen Morgan International Protection of Performers Rights Hart Publishing Oxford 2002 p. 139. 2010 10067 2010 10067 36
瑑瑨 DVD 瑑瑩 瑒瑠 瑒瑡 瑒瑢 5 瑑瑨 瑑瑩 瑒瑠 瑒瑡 瑒瑢 2010 10067 2010 10067 4 2001 4 18 37
2012 3 瑒瑣 1990 20 20 Abstract Under the external pressure of being required to establish a fast copyright system in line with international standards the formulation and revision of the Copyright Law in China considerably use international treaties and the relevant regulations in overseas legislation for reference. However this approach to legislation brings about three side effects 1 learning widely from others' strong points leading to logic conflicts between articles 2 copying international treaties without revision making the legislation out of date or too rough 3 altering the general international regulations leading to the failure of legislative objectives. As the third time revision of the Copyright Law initiated recently is not under the external pressure the following three approaches to using international treaties and overseas legislation for reference are suggested 1 using a major country in one legal system as a sample for reference 2 changing from copying the regulations under international treaties without revision to drawing up new precise rules by using native legislative language and according to national circumstances 3 no hasty alterations to the general international regulations without ample reasons. 瑒瑣 2010 10067 38