西漢晚期以來，儒家思想對社會已有了深入的影響，當時不論士庶，普遍對孝悌之行抱有由衷的敬意。在此背景下，原本存在於大家庭的治家之法，在士人階層發生了深刻而微妙的變化。士人立身以禮、躬行實踐的結果，推動著家庭內的倫理關係趨向於嚴謹規矩。

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今否柳
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1 ~104 Sumpfzeugung A NSC H

2 72 1 Northrop Frye, low mimetic ironic 2 3 Mikhail Mikhailovich Bakhtin,

5 75 舚

6 76 17 wit harmless wit 18 eiron alazon 19 The sense of humour Constance Rourke Kentuckian backwoodsman alazon Yankee the minstrel 117

7 P

8 羣

9 79 羣 28 6 羣

12 82 32 carnival Malcolm V. Jones

13 Rebelais and His World mesalliances 櫽

14 羣 38

15 85 39 叶 40 parody

16 羣

19 parody

20 舚

21 91 41 scatological-fetid vision 袴

25 the world turned up side down heavy consumption Julia Kristeva, abjection Julia Kristeva, Power of Horror: An Essay on Abjection. Trans. by Leon S. Roudiez. New York: Columbia UP,

26 :

27 97 舚舚 41 Disharmony

28 Sumpfzeugung

29 Power of Horror: An Essay on Abjection Strangers to Ourselves (New York: Columbia UP, 1911) 8

31 * 84 Andrew H. Plaks allegory

32 P Andrew H. Plaks 1996 Mikhail Mikhailovich Bakhtin Problems of Dostoevsky Poetics Mikhail Mikhailovich Bakhtin Northrop Frye Anatomy of Criticism: Four Essays 1998 Julia Kristeva Pouvoirs de L horreur: Essai sur l abjection

33 103 Malcolm V. Jones Dostoevsky after Bakhtin

34 104 The Poetics of Carnival in The Dream of the Red Chamber: A Study on Granny Liu Ou, Li-chuan Abstract This article analyzes the role of Granny Liu in The Dream of the Red Chamber: as a mature-type old woman, she incarnates the spirit of carnival. I utilize Bakhtin s poetics of carnival to explore the structural meanings of the episode of Granny Liu trip to Prospect Garden. First, through Granny Liu s trip, an extraordinary festival space is built for the women and girls who live in the inner quarters of the Jia s Family. Second, by playing a cheerful clown, Granny Liu creates an atmosphere of collective, public-square carnival. Third, Granny Liu emphasizes the material aspect and the lower part of body, bringing them to focus and center. Fourth, the words play in jiou-ling ( ) games act as parody of the authority discourse. And with Granny Liu s vernacular and vulgar colloquialism, a scene appears where art-language is confronted and deconstructed by life-language. Fifth, this episode is full of unpleasing or even dirty visions of grotesque animal figures and excrement. All these anti-sublime forces are against the idealized spiritual orientation of Prospect Garden, arousing Lin Dai-Yu s abjection. Besides the contrasts and disturbances brought forth by Granny Liu, there is energetic and real force embodied in the spirit of carnival. It is exemplified in Granny Liu s name-giving and saving of Ch iao-jie, an episode of Sumpfzeugung. Keywords: the Dream of the Red Chamber, Granny Liu, Prospect Garden, Mikhail Mikhailovich Bakhtin, the poetics of carnival, grotesque figures, abjection Associate Professor, Department of Chinese Literature, National Taiwan University.

106歐麗娟.doc

106歐麗娟.doc 143 2005 12 143 194 A Study on Xue Bao-chai: Some Fundamental Problems of Character s Discourse in The Dream of the Red Chamber Ou Li-Chuan Associate Professor, Department of Chinese Literature, National