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3 獻辭 MESSAGE Tonight s concert marks Maestro Jaap van Zweden s first appearance as the eighth Music Director of the Hong Kong Philharmonic Orchestra. With the Maestro at the helm, I believe that the 2012/13 season holds the promise to be the most exciting yet. His dedication to promoting the arts will no doubt inspire and widen the appreciation of classical music, thereby adding further lustre to Hong Kong s reputation as a world-class cultural hub. It is a significant step forward for the HK Phil to be joined by one of the world s most celebrated conductors. I am sure Maestro van Zweden will sweep the audience off their feet with his musical zest and charisma. I wish the concert a great success and all of you a very enjoyable evening. 1

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5 獻辭 MESSAGE 歡迎蒞臨國慶音樂會 新華集團連續第五年贊助香港管弦樂團國慶音樂會的首場演出, 慶祝中華人民共和國誕生六十三週年之餘, 同時慶賀香港回歸十五週年 今年, 我們感到十分榮幸, 能藉慶祝國慶, 同時歡迎港樂新任音樂總監梵志登就職 梵志登是蜚聲國際的指揮家, 他榮獲 音樂美國 選為 2012 年度指揮, 能夠有他為港樂掌帥, 實為香港音樂界的一大喜事 今晚梵志登將聯同兩位年輕華人音樂家 小提琴家寧峰和作曲家兼鋼琴家陶康瑞, 與港樂攜手呈獻經典的 梁祝 小提琴協奏曲和貝多芬第七交響曲 非常感謝各位好友和愛好音樂的人士給予我們無限的支持, 與我們一起在美妙的樂聲中共渡此難忘的時刻, 並共同祝願祖國及香港特區的明天更加美好 Welcome to the National Day Concert. For the fifth year Sunwah Group sponsors the opening performance of the China National Day Concert celebrating the 63rd anniversary of the People s Republic of China and the 15th anniversary of the HKSAR. This year we also welcome Jaap van Zweden, the new Music Director of the Hong Kong Philharmonic Orchestra who has chosen this as his début concert. Maestro van Zweden is an internationally renowned conductor, who was named Musical America s Conductor of the Year for It is great news to have him in Hong Kong s musical arena. Tonight, Maestro van Zweden, together with two dynamic musicians violinist Ning Feng and young composer and pianist Conrad Tao as well as the Orchestra, will perform the Chinese classic Butterfly Lovers Violin Concerto and Beethoven s masterpiece Symphony No.7. We are grateful to our friends and to Hong Kong s music lovers for their long-time support, and for sharing with us the joy of appreciating great music and celebrating a better China and HKSAR. 3

6 獻辭 MESSAGE 歡迎蒞臨今晚的 港樂音樂總監就職暨國慶音樂會 梵志登是現今最炙手可熱的指揮之一, 由他擔任香港管弦樂團的音樂總監, 實令樂團的發展邁前一大步 我們敬佩梵志登的藝術造詣, 深信他定能令港樂繼續茁壯成長, 並同時讓香港的文化發展更上一層樓 過往八年, 樂團在艾度. 迪華特的領導下發展成一個由九十名才華橫溢的樂師所組成的強大樂團, 擠身亞洲最優秀的樂團之列 在梵志登的領導下, 我相信港樂定能再創藝術高峰 最後, 我謹向一直支持港樂國慶音樂會的新華集團和永隆銀行致意 今晚梵志登與小提琴家寧峰力量澎湃的演出, 定能令大家滿載美樂而歸 Welcome to tonight s Welcome, Jaap! A National Day Celebration concert. It is a tremendous step forward for the Hong Kong Philharmonic Orchestra to be joined by one of the world s most sought-after conductors Maestro Jaap van Zweden. We salute Maestro van Zweden s artistic leadership, and are pleased to entrust in him not only the future development of the orchestra, but also that of Hong Kong s cultural advancement. After eight years of great work by Maestro Edo de Waart, the HK Phil has been transformed into a strong ensemble of 90 talented musicians and become one of Asia s finest orchestras. I am content that it will continue to strive for musical excellence under the leadership of Maestro van Zweden. Last but not least, I would like to thank Sunwah Group and Wing Lung Bank for their continuous support to our National Day concerts. I trust you will all enjoy the powerful performance by Maestro van Zweden and violinist Ning Feng. 4

7 獻辭 MESSAGE Welcome to a concert of new beginnings! I am so excited to be here for my first week as Music Director of the HK Phil. We have already been working together behind the scenes for months now, but tonight is your first chance to experience the early fruits of our work. My tenure begins with a world première by the prodigious young musician Conrad Tao. Conrad has chosen the legend of Pángu as a symbol of the start of our journey. Ning Feng, a violinist I have greatly admired but never worked with before, will join me on stage to play the Butterfly Lovers Violin Concerto which I know is very close to the hearts of Hong Kong people, but which will be a première for me! And lastly, Beethoven s Seventh Symphony, a great work renewed afresh with each performance. Even this programme book reveals a première our brand new logo and identity. New beginnings, new friendships, great music and our chance to meet in this concert. I hope this concert touches you, and that you will consider sharing the HK Phil with your friends as our journey continues. 5

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11 港樂音樂總監就職暨國慶音樂會 WELCOME, JAAP! A NATIONAL DAY CELEBRATION 首場演出贊助 Opening performance is sponsored by 9 月 29 日演出贊助 29 Sep performance is sponsored by CONRAD TAO ~7 陶康瑞 : 盤古 港樂委約, 世界首演 Conrad Tao: Pángu (HK Phil commission, world première) 12 CHEN/HE ~27 陳鋼 / 何占豪 : 梁祝 小提琴協奏曲 Chen/He: Butterfly Lovers Violin Concerto 14 中場休息 interval BEETHOVEN ~36 貝多芬 : 第七交響曲 Beethoven: Symphony No.7 17 ARTISTS 梵志登, 指揮 Jaap van Zweden, conductor 寧峰, 小提琴 Ning Feng, violin 請勿飲食 No eating and drinking 請勿拍照 錄音或錄影 No photography, recording and filming 請關掉手提電話及其他電子裝置 Please turn off your mobile phone and other electronic devices 演奏期間請保持安靜 Please keep noise to a minimum during the performance 請留待整首樂曲完結後才報以掌聲鼓勵 Please reserve your applause until the end of the entire work 如不欲保留場刊, 請於完場後放回場地入口以便回收 If you don t wish to take this printed programme home, please return it at the admission point for recycling 9

12 VAN ZWEDEN [ Yaap fun Zvay-den] Definitions of JAAP VAN ZWEDEN 1 The eighth Music Director of the Hong Kong Philharmonic Orchestra 香港管弦樂團第八任音樂總監 2 One of today s most sought-after conductors 當今最炙手可熱的指揮家之一 3 Musical America s Conductor of the Year for 2012 音樂美國 二零一二年度指揮家 4 Music Director of the Dallas Symphony Orchestra 達拉斯交響樂團音樂總監 5 The youngest Concertmaster ever of the Royal Concertgebouw Orchestra 荷蘭皇家音樂廳樂團史上最年輕團長 6 Born in Amsterdam on 12 December Married with a daughter and three sons 一九六零年十二月十二日生於荷蘭阿姆斯特丹, 已婚, 育有一女三子 Synonyms of JAAP VAN ZWEDEN 1 Kinetic 躍動 New York Times 紐約時報 2 Hyper-dynamic 活力非凡 Financial Times 金融時報 3 Swift 機敏 The Guardian 衛報 HK Phil Definitions of HK Phil 1 Hong Kong s first professional orchestra since 1974 自一九七四年起香港的首個職業樂團 2 One of Asia s leading orchestras 亞洲區內最具領導地位的樂團之一 3 Busy performance schedule of over 150 performances reaching 200,000+ listeners each season 演出頻繁, 每季上演逾一百五十場音樂會, 吸引聽眾達二十多萬人 4 Large-scale symphonic event Swire Symphony under the Stars, bringing classical music to the community 年度大型交響演奏 太古港樂. 星夜. 交響曲 將音樂帶到社區 5 Comprehensive education and outreach programmes to invest in Hong Kong s musical future 全面的音樂教育計劃, 為香港未來播下音樂種子 6 Touring around the world to promote Hong Kong as Asia s World City 巡迴世界各地演出, 弘揚香港 亞洲國際都會

13 faan 6 志登 :清淨之志,登:達到 梵志11

14 陶康瑞 盤古 CONRAD TAO (b. 1994) Pángu 盤古開天 是則既迷人又有深刻哲學意味的神話...Pángu is a creation myth of charm and philosophical weight. 盤古開天 是則既迷人又有深刻哲學意味的神話 故事講述宇宙最初就像一枚巨蛋, 裡面是沉睡了一萬八千年的盤古 盤古漸漸甦醒, 卻發現自己四周渾沌一團 漆黑一片, 於是奮力用巨大的雙臂把這片渾沌劈開 往後的一萬八千年, 盤古鍥而不捨地把天地分開 大功告成後, 盤古就躺下休息 他的左眼化作太陽, 右眼化作月亮, 呼吸化作清風, 聲線化作雷聲, 身體化作起伏的地形, 血液化作河流等 盤古開天也包含了基本的陰陽觀念 陰與陽在故事初段達到完美平衡, 混濁的陰變成地, 清澈的陽化成天 而且盤古也是個衝破黑暗 擁抱光明的人物 因此, 管弦樂曲 盤古 旨在捕捉在巨蛋內那種令人頭暈轉向的幽閉恐懼 把天地分開的巨大力量, 還有盤古完成壯舉後留下的世界 那個令人興奮的世界 樂曲開始時, 一陣慌張零亂的樂音流露出焦慮和激動之情, 尖銳的旋律音型刻劃盤古嘗試打破蛋殼, 天與地慢慢分開時, 沉重的和弦 像糖漿 流動, 緩慢地 有條不紊地演變 The story of Pángu is a creation myth of charm and philosophical weight. The universe begins concentrated inside an egg in which the great Pángu himself sleeps for 18,000 years. On waking he finds himself in an endlessly dark space and proceeds to cut through it with his enormous limbs. For another 18,000 years the persistent god goes about separating heaven and earth from one another. After this monumental task is finished, Pángu is laid to rest his left eye becomes the sun, his right eye the moon, his breath the wind, his voice the thunder, his body the great geographic regions of the world, his blood the rivers of the earth, and so on. In this myth are the fundamental ideas of yin and yang, which are perfectly balanced at the beginning of the tale and become distinct as the dark yin becomes the earth and the pristine yang becomes the sky. Additionally, Pángu is known as the one who broke free from darkness and embraced the light. And so Pángu, for full orchestra, aims to capture the whirling claustrophobia of the egg, the enormous weight of earth and heaven separating, and the thrilling world left behind as Pángu ends his journey. The piece s opening flurry of notes conveys anxious excitement, and the sharp melodic figures that offset it reflect Pángu s attempts to break through his shell. As he begins to slowly widen the gap between land and sky, ponderous chords move like molasses, evolving slowly and methodically. 12

15 陶康瑞 盤古 CONRAD TAO (b. 1994) Pángu 接著當然是盤古的身體化作大家今日所知的世界, 開端那旋轉似的聲音再次響起, 但現在更顯自信 我們俯瞰這片新造的風景, 山峰低谷 河床海床, 變化多端, 多姿多采, 同中有異, 異中有同, 凝聚了多個截然不同的部份 天與地互相依賴, 所以 盤古 最後以一連串橫跨整個樂團的和弦作結 And then, of course, there is the transformation of Pángu s body into the earth we know today; the opening swirl of sound returns, more confident this time around. We survey the newly created landscape, its peaks and valleys, its beds of water and its resplendent diversity. In this heterogeneity is a beautiful unity, a cohesion made up of contrasting parts. The earth and the sky need each other, and so Pángu ends with a series of chords encompassing the entire sonic spectrum of the orchestra. 陶康瑞 中譯 : 鄭曉彤 Conrad Tao 陶康瑞生於美國伊利諾伊州厄巴納, 年僅四歲便舉行首場獨奏會 八歲首次以獨奏身份演出協奏曲 他是 2011 年吉爾摩藝術家大獎得主, 也是唯一一位獲選為 福布斯 30 Under 30 青年領袖的古典音樂家 今年,EMI 為他發行首張專輯, 當中包括三首由他創作的新曲 他現就讀哥倫比亞大學及茱莉亞音樂學院的聯合課程, 並於茱莉亞接受鋼琴訓練和耶魯大學學習作曲, 他亦曾於茱莉亞學習小提琴 Born in Urbana, Illinois, Conrad Tao gave his first piano recital at age four, and at age eight made his concerto début. In 2011, the Gilmore Young Artist award winner was the only classical musician to make Forbes 30 Under 30 list. His first album for EMI, which includes three of his own compositions, was released in Conrad currently attends the Columbia University/ Juilliard School joint degree programme and studies piano at The Juilliard, composition at Yale University and studied violin at The Juilliard. 編制兩支長笛 其一兼短笛 兩支雙簧管 兩支單簧管 兩支巴松管 四支圓號 兩支小號 三支長號 定音鼓 鐘琴 大鼓 鈸 響木 鑼 響板 小鼓 懸鈸 排鼓及弦樂組 INSTRUMENTATION Two flutes (one doubling piccolo), two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani, glockenspiel, bass drum, cymbals, wood blocks, gong, claves, snare drum, suspended cymbal, paigu, and strings. 13

16 陳鋼 / 何占豪 梁祝 小提琴協奏曲 CHEN GANG/HE ZHAN-HAO (b.1935/b.1933) Butterfly Lovers Violin Concerto 梁祝 協奏曲主要是以上海越劇的音調寫成主旋律...sounds reminiscent of Yueju (Shanghainese opera) can be heard in the main melody 年後, 國家級的管弦樂團及音樂學院相繼成立, 於是較有規模的西式管弦樂作品便在五 六十年代湧現 經常被描述為具鮮明 民族風格 的西式管弦樂作品如 梁祝 小提琴協奏曲和 黃河 鋼琴協奏曲, 實指它們具有中國漢族風格 梁祝 協奏曲主要是以上海越劇的音調寫成主旋律, 獨奏小提琴及弦樂在演奏上也刻意吸收了中國胡琴的滑音技巧, 樂曲還應用了京劇 越劇的典型敲擊樂器板鼓 單皮鼓與拍板 及其板式 即程式化的節奏型 若不用板鼓而用其他樂器取代 如一些外國樂團用了木魚, 則有如演奏巴羅克時代的樂曲不用古鍵琴而用電子鋼琴代之, 風格及效果均會格格不入 在和聲 配器及曲式上, 梁祝 小提琴協奏曲基本上借鑑西方 祝英台女扮男裝求學, 與梁山伯同窗共寢三載, 感情深厚 英台於十八相送中多番暗示山伯仍不察, 至樓台會方知英台為女兒身, 但祝父已把英台許配於馬文才, 山伯憂憤成疾, 返家後旋即病逝 英台花轎過山伯墓, 下轎哭祭, 投墳殉愛, 梁祝雙雙化蝶, 世傳佳話 14 Soon after the founding of the People s Republic of China in 1949 there was a spate of new orchestras and conservatories designed after the Western models. The next two decades also saw a surge of large-scale orchestral works composed by Chinese composers. Some of these works, such as the Butterfly Lovers Violin Concerto and the Yellow River Piano Concerto, are often described as having a strong national character. Yet this national character really only refers to the musical style of the Han Chinese. Although it follows the formal design of a traditional Western classical concerto (in harmony, orchestration and musical form), the Butterfly Lovers Violin Concerto is distinctly Chinese in many ways. For example, sounds reminiscent of Yueju (Shanghainese opera) can be heard in the main melody, portamento techniques of huqin (the Chinese bowed lute) are employed in the strings and solo violin, and the style of traditional Chinese percussion instruments, such as the bangu (clappers and Chinese opera drum), which are usually found in Peking Opera and Yueju, are evoked by their characteristic rhythmic patterns. The substitution of wood blocks for bangu in some western orchestras would result in a loss of flavour and style, just as using an electronic piano to replace a harpsichord in Baroque music spoils the overall effect. The Butterfly Lovers Concerto draws on the tale of two lovers, Liang Shan-bo (a young man) and Zhu Ying-tai (a young lady). Zhu, disguised as a man, spent three years studying with Liang and they developed a strong affection for each other. Liang, however, had remained unaware of Zhu s true identity and, as a consequence, had missed the opportunity to ask for her hand in marriage. Zhu s father had selected a suitable husband for her, but when Liang realised Zhu s situation, he died of a broken heart. On her wedding day Zhu saw his grave and, distraught, killed herself on the spot. The dead lovers, according to legend, transformed into a pair of butterflies.

17 陳鋼 / 何占豪 梁祝 小提琴協奏曲 CHEN GANG/HE ZHAN-HAO (b.1935/b.1933) Butterfly Lovers Violin Concerto 這是一首單樂章的協奏曲, 雖然在總譜的說明中並未提及西方協奏曲常用的 奏鳴曲體, 但已見 呈示部 草橋結拜 三載共讀 長亭送別 發展部 抗婚 樓台會 哭墳 及 重現部 化蝶 等用語 樓台會 中獨奏小提琴 英台 與大提琴 山伯 的二重奏已成經典, 聽眾不難心領神會箇中纏綿 但若要進一步用音樂表達戲中反串的英台或中國戲曲中一貫由女演員扮演的山伯, 似乎便有點強人所難 此曲是中央於 1959 年指令為慶祝建國十年而作的西式管弦樂作品, 作曲者何占豪與陳鋼均為當年上海音樂學院的學生 據近年媒體及出版物披露, 梁祝 協奏曲的創作, 學院的老師有不同程度的參與 梁祝 小提琴協奏曲自俞麗娜及沈榕先後灌錄了唱片後, 風行中國海內外華人社群逾半個世紀, 改編成其他樂器的版本及重錄的唱片亦多不勝數 This single-movement concerto is written in sonata form, as implied by the composers themselves who mention terms like exposition, development and recapitulation in their preface to the score. One of the most memorable moments is the expressive duet in the middle of the work, recalling the romance between Zhu (the violin) and Liang (the cello). It is, however, too difficult to reflect the cross-casting roles of Zhu (in the story) and Liang in music; in Chinese operatic tradition the role of Liang is usually acted by female. The Concerto was commissioned by the Chinese government in 1959 to celebrate the 10th anniversary of the People s Republic of China. The acknowledged composers, He Zhan-hao and Chen Gang, were then students at the Shanghai Conservatory of Music. However, recent scholarship has revealed that the Concerto was in fact the fruit of a collective effort between the two acknowledged composers as well as their mentors at the Conservatory. First recorded by violinists Yu Li-na and then Shen Rong, the Butterfly Lovers concerto has enjoyed tremendous popularity among Chinese communities all over the world, with numerous recordings of different versions and instruments. 余少華教授 Prof. Yu Siu Wah (English translation: Grace Chiang) 編制獨奏小提琴 兩支長笛 兩支雙簧管 兩支單簧管 兩支巴松管 四支圓號 兩支小號 三支長號 定音鼓 板鼓 鈸 鑼 豎琴 鋼琴及弦樂組 INSTRUMENTATION Solo violin, two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani, bangu (clappers and Chinese opera drum), cymbals, tam-tam, harp, piano and strings. 15

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19 貝多芬 A 大調第七交響曲 LUDWIG VAN BEETHOVEN ( ) Symphony No.7 in A, Op.92 稍慢速 活潑地小快板急板輝煌的快板 Poco sostenuto Vivace Allegretto Presto Allegro con brio 貝多芬自第一交響曲起, 約每兩年就有一首新交響曲面世, 直至第五 第六交響曲在 1808 年同場首演為止 第七交響曲卻整整三年後才動筆,1812 年 5 月脫稿 也許貝多芬不該親自指揮首演 十年來, 他的聽力一直每況愈下 當日有份演出的小提琴手路易. 史博回憶道 : 貝多芬明顯聽不見自己曲中的柔和樂段 樂團還沒開始, 他已經在打拍子了, 所以一直比樂團領先很多 到一大段漸強開始時, 他幾乎已領先了十至十二小節 他先蹲在譜架下面, 覺得音樂越來越強時就站起身來, 然後踮起腳, 讓自己看來高一點, 心想洪亮的高潮來臨了, 就使勁一躍, 跳得老高 可是高潮實際上還未出現, 他就慌張地四處張望, 吃驚地盯著依然奏著柔和樂段的樂團 直到那期待已久的嘹亮樂段開始, 他聽得見了, 才能重新跟上 Up until his fifth and sixth symphonies, premièred together in 1808, Beethoven had composed one symphony about every two years. There then followed a gap of more than three years before he even started work on the seventh, but he had completed it by May It was probably a mistake for Beethoven to have decided to conduct the performance himself; his hearing had been steadily deteriorating over the previous decade and, as Louis Spohr, a violinist in the orchestra later recalled; It was obvious that Beethoven could not hear the soft passages in his own music. He started beating time before the orchestra had begun and was therefore ahead of the orchestra by as much as 10 or 12 bars when it began a long crescendo. He had crouched down under the music stand and as he thought the music was getting louder became visible once more, making himself taller before leaping high into the air at the moment he thought the loud climax should have been reached. When it did not materialise he looked about in terror and stared, astonished, at the orchestra who were still playing softly, and found his place again only when the so-long-awaited forte began and became audible to him. 17

20 貝多芬 A 大調第七交響曲 LUDWIG VAN BEETHOVEN ( ) Symphony No.7 in A, Op.92 大家不難想像貝多芬失去聽覺有多痛苦, 但這種痛苦在第七交響曲卻幾乎不著痕跡 事實上, 生氣勃勃的舞曲樂思在第七交響曲俯拾皆是, 而且情緒持續高漲, 令早期聽眾摸不著頭腦 樂曲在萊比錫重演時飽遭抨擊, 許多觀眾認定第一 四樂章是醉酒時創作的, 作曲家韋伯聽到第三樂章就譏諷道 : 貝多芬合該進瘋人院 其他樂評也大加鞭撻 : 據塞耶的名著 貝多芬的一生 1866 年出版, 有樂評形容此曲 荒謬 毫無章法, 亞歷山大. 烏列比謝夫則認為第二樂章是 瘋言瘋語, 半點旋律和和聲的蹤影都沒有, 沒一刻順耳 此曲的神髓, 還是要留待作曲家華格納才能一語道破 : 這是舞曲的典範 第一樂章開始時, 樂團先來一個充滿爆炸力的和弦, 然後是大段寬廣的漸強, 朝氣蓬勃的舞曲主題忽然躍出, 繼而越來越雀躍, 直至整個樂團都沉醉在狂熱的舞蹈 第二樂章是變奏曲, 初段較憂鬱, 但骨子裡始終是舞曲, 只是沉著得多 開端的節奏型不斷重複, 偶然才會消失一陣 維也納首演當晚, 觀眾聽畢這個樂章後反應熱烈, 甚至要求馬上再奏一遍 We can imagine the distress Beethoven felt at the loss of his hearing, but there is little evidence of this in the seventh symphony. Indeed, it is so full of exuberant, dance-like ideas that early audiences were confused by the work s sheer high spirits. At a subsequent performance in Leipzig many in the audience accused Beethoven of having been drunk when he wrote the outer movements, while the composer Weber on hearing the third movement, suggested that Beethoven was only fit for the madhouse. Other critics, according to Thayer s seminal Life of Beethoven published in 1866 were equally damning: this absurd, untamed music, one wrote, while Alexander Oulibicheff described the second movement as delirium, in which there is no trace of melody or harmony, no single sound to fall gratefully upon the ear. It was left to the composer, Richard Wagner, to come up with the phrase which seems to sum up the true spirit of Beethoven s seventh symphony; he called it the apotheosis of the dance. After an explosive chord involving the entire orchestra, the first movement builds up over a long broad crescendo eventually breaking into an exultant dancing theme which, as the movement progresses, becomes more and more exuberant until the whole orchestra seems to be involved in some sort of dance frenzy. The second movement begins in a much more sombre mood, but this is, again, another dance movement, albeit a somewhat more sedate one. Built over a rhythm which is repeated over and over again with occasional interruptions, this is a set of variations which so appealed to the first-night Viennese audience that they demanded an immediate encore. 18

21 貝多芬 A 大調第七交響曲 LUDWIG VAN BEETHOVEN ( ) Symphony No.7 in A, Op.92 可是這種氣氛旋即被喧鬧的第三樂章霍然粉碎 : 先是活潑友善地喋喋不休, 中段則較冷靜 根據史塔德勒神父 所述, 中段旋律乃根據一首古老的朝聖者讚美詩寫成, 配器模仿管風琴聲, 宗教氣氛更濃厚 雀躍的第一和第三樂章, 也不過為熱鬧的終樂章作準備 據說華格納對這個樂章愛不釋手, 甚至請岳父李斯特在鋼琴上一邊彈奏, 他自己一邊忘型地舞動 而這個樂章也的確活潑無比, 生氣勃勃 The mood is rudely shattered by the rumbustious third movement which, after much animated friendly chattering, breaks into rather more less hectic trio with a melody based, according to Abbé Stadler ( ), on an ancient pilgrims hymn, its pious character reinforced by orchestration which imitates the sound of an organ. If both the first and third movements contain elements of frenzied activity then that is only in preparation for the wholesale pandemonium which forms the bulk of the fourth movement. There is a story that Wagner so liked this movement that he asked his father-in-law, Liszt, to play it on the piano while he himself danced frantically about, and certainly it is an outrageously exuberant and energetic movement. 中譯 : 鄭曉彤 Dr Marc Rochester 編制兩支長笛 兩支雙簧管 兩支單簧管 兩支巴松管 兩支圓號 兩支小號 定音鼓及弦樂組 INSTRUMENTATION Two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, and strings. 19

22 劃新時代 A New DAWN 28 & 就職音樂會 Inaugural Concerts BEETHOVEN Symphony No & 布拉姆斯安魂曲 Brahms Requiem BRAHMS A German Requiem 15 & 太古音樂大師 : 梵志登的馬勒 Swire Maestro: Jaap s Mahler MAHLER Symphony No.1 Titan 3 & 太古輕鬆樂聚 : 九點鐘. 梵志登 Swire Denim: Jaap@9 o clock CHOOSE YOUR FAVOURITE 7 & 梵志登的孟德爾遜 Jaap s Mendelssohn MENDELSSOHN Symphony No.3 Scottish 7 & 梵志登與班娜德蒂 Jaap and Benedetti TCHAIKOVSKY Violin Concerto

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24 梵志登 JAAP VAN ZWEDEN 香港管弦樂團音樂總監 Music Director, Hong Kong Philharmonic Orchestra The orchestra (HK Phil) responded to van Zweden s grip on the soul of the piece with an impressively disciplined performance. Sam Olluver, South China Morning Post 梵志登生於阿姆斯特丹, 是現今國際古典樂壇最炙手可熱的指揮之一, 他榮獲 音樂美國 選為 2012 年度指揮家, 自 2012/13 樂季起正式擔任香港管弦樂團音樂總監一職 梵志登現時擔任達拉斯交響樂團音樂總監 荷蘭電台愛樂樂團榮譽總指揮和電台室樂團的榮譽指揮 梵氏曾與世界各頂尖樂團合作, 其中包括芝加哥交響樂團 波士頓交響樂團 紐約愛樂 慕尼黑愛樂 倫敦愛樂及法國國家管弦樂團 歌劇是梵氏的指揮生涯的重要一環, 他曾參與的歌劇劇目包括 : 茶花女 費黛里奧 紐倫堡的名歌手 帕西發爾 及 雲妮莎 梵氏曾經與多個樂團合作灌錄大碟, 如全套貝多芬交響曲 蕭斯達高維契第五交響曲 馬勒第五交響曲 與荷蘭電台愛樂合作的史特拉汶斯基 春之祭 全套布拉姆斯交響曲, 以及現已完成第二 四 五 七 及第九 廣獲好評的全套布魯赫納交響曲 Octavia 十四年前, 梵氏與妻子阿特耶成立帕帕堅奴基金會, 為患有自閉症的兒童及其家庭提供協助 Amsterdam-born Jaap van Zweden is one of today s most sought-after conductors. Recently named Musical America s Conductor of the Year for 2012, he is the new Music Director of the Hong Kong Philharmonic Orchestra. Maestro van Zweden is currently Music Director of the Dallas Symphony Orchestra, Honorary Chief Conductor of the Netherlands Radio Philharmonic Orchestra and Honorary Conductor of the Radio Chamber Philharmonic. Prestigious orchestras he works with regularly include the Chicago Symphony, the Boston Symphony, the New York, Munich and London Philharmonic Orchestras, and the Orchestre National de France. Opera also plays an important part in his activities. His repertoire includes La Traviata and Fidelio, Die Meistersinger von Nürnberg, Parsifal and Vanessa. He has recorded the complete Beethoven symphonies, Shostakovich Symphony No.5, Mahler s Symphony No.5, Stravinsky s Rite of Spring and the Brahms symphonies with the Netherlands Radio Philharmonic, with whom he is currently recording a Bruckner cycle for the Octavia label, with symphonies 2, 4, 5, 7 and 9 already released to great critical acclaim. Fourteen years ago, Maestro van Zweden and his wife Aaltje established the Papageno Foundation, its objective being to support families with one or more children with autism. 22

25 寧峰 NING FENG 小提琴 Violin Photo: Simon Wall/Intermusica It's no surprise to learn that Ning Feng was the winner of the 2006 International Paganini Competition in Genoa; he's able to bring the great virtuoso's most extreme flights of fancy to life with exceptional beauxty and precision." Gramophone 寧峰生於中國成都, 曾於四川音樂學院及倫敦皇家音樂學院學習 他於 2006 年贏得國際巴格尼尼小提琴大賽第一名, 又曾獲漢諾威國際小提琴大賽 伊麗莎白女皇音樂大賽 曼奴軒國際小提琴大賽的獎項, 以及希爾國際小提琴大賽的第一名 他近期的精彩演出包括 : 與加西亞交響樂團 哈斯 - 貝多亞 卡加利愛樂 明祖克 及里昂國家樂團 佛斯特 合作 未來樂季的演出包括 : 與奧克蘭愛樂再度合作, 以及首次於畢爾巴鄂 斯特拉斯堡 薩格勒布 薩拉熱窩 盧布爾雅那和莫斯科, 以及於布拉格之春音樂節演出 他曾與尤洛夫斯基 梵志登 艾爾達爵士等著名指揮合作, 其中最為人樂道的, 是與布達佩斯節日樂團及名指揮家費殊於 2010 年的中國巡迴演出 寧峰為荷蘭 Channel Classics 錄音, 最近推出一張名為 Solo 的專輯, 收錄巴格尼尼 克萊斯勒 貝利奧 舒尼特克等作曲家的作品, 贏得 發燒音響 雜誌的高度評價 他現時定居柏林, 使用小提琴的是製琴名家格雷納的作品 2007 年波恩製 Born in Chengdu, China, Ning Feng studied at the Sichuan Conservatory of Music and the Royal Academy of Music, London. Winner of the first prize in the 2006 International Violin Competition Premio Paganini, he has also won prizes at the Hannover International Violin Competition, the Queen Elisabeth Music Competition, the Yehudi Menuhin International Violin Competition, and also First Prize at the Michael Hill International Violin Competition. Highlights of Ning Feng s recent engagements include concerts with Galicia Symphony/Harth-Bedoya, Calgary Philharmonic/ Minczuk and Orchestre National de Lyon/Foster. Looking ahead to future seasons, Ning Feng is welcomed back by the Auckland Philharmonia, makes his début with orchestras in Bilbao, Strasbourg, Zagreb, Sarajevo, Ljubljana and Moscow, and at the Prague Spring festival. He has been paired with conductors of great esteem such as Vladimir Jurowski, Jaap van Zweden, and Sir Mark Elder, and most notably, toured China in 2010 with the Budapest Festival Orchestra under the baton of Iván Fischer. Ning Feng records for Channel Classics in the Netherlands. His most recent recording, Solo, featuring works by Paganini, Kreisler, Berio, Schnittke and others, received a first-class review by Audiophile Audition. Ning Feng is based in Berlin and plays a Stefan-Peter Greiner violin (Bonn 2007). 23

26 香港管弦樂團 HONG KONG PHILHARMONIC ORCHESTRA 第一小提琴 First Violins 尤瑟夫維奇 / 團長 Igor Yuzefovich/ Concertmaster 梁建楓 / 第一副團長 Leung Kin-fung/ First Associate Concertmaster 王思恆 / 第二副團長 Wong Sze-hang/ Second Associate Concertmaster 朱蓓 / 第三副團長 Zhu Bei/ Third Associate Concertmaster 毛華 Mao Hua 程立 Cheng Li 把文晶 Ba Wenjing 桂麗 Gui Li 許致雨 Anders Hui 李智勝 Li Zhisheng 龍希 Long Xi 梅麗芷 Rachael Mellado 倪瀾 Ni Lan 王亮 Wang Liang 徐姮 Xu Heng 張希 Zhang Xi 24

27 第二小提琴 Second Violins 范丁 Fan Ting 趙瀅娜 Zhao Yingna 梁文瑄 Leslie Ryang Moon-sun 華嘉蓮 Katrina Rafferty 韋鈴木美矢香 Miyaka Suzuki Wilson 冒田中知子 Tomoko Tanaka Mao 方潔 Fang Jie 何珈樑 Gallant Ho Ka-leung 簡宏道 Russell Kan Wang-to 劉博軒 Liu Boxuan 冒異國 Mao Yiguo 潘廷亮 Martin Poon Ting-leung 黃嘉怡 Christine Wong Kar-yee 周騰飛 Zhou Tengfei 中提琴 Violas 凌顯祐 Andrew Ling 李博 Li Bo 熊谷佳織 Kaori Wilson 黎明 Li Ming 羅舜詩 Alice Rosen 崔宏偉 Cui Hong-wei 付水淼 Fu Shuimiao 洪依凡 Ethan Heath 林慕華 Damara Lomdaridze 孫斌 Sun Bin 王駿 Wang Jun 張姝影 Zhang Shu-ying 首席 Principal 聯合首席 Co-Principal 助理首席 Assistant Principal 25

28 大提琴 Cellos 鮑力卓 Richard Bamping 方曉牧 Fang Xiaomu 林穎 Dora Lam 陳怡君 Chen Yi-chun 關統安 Anna Kwan Ton-an 陳屹洲 Chan Ngat Chau 張明遠 Cheung Ming-yuen 霍添 Timothy Frank 李銘蘆 Li Ming-lu 宋亞林 Yalin Song 低音大提琴 Double Basses 林達僑 George Lomdaridze 姜馨來 Jiang Xinlai 張沛姮 Chang Pei-heng 馮榕 Feng Rong 費利亞 Samuel Ferrer 林傑飛 Jeffrey Lehmberg 鮑爾菲 Philip Powell 范戴克 Jonathan Van Dyke 長笛 Flutes 短笛 Piccolo 史德琳 Megan Sterling 盧韋歐 Olivier Nowak 施家蓮 Linda Stuckey 雙簧管 Oboes 英國管 Cor Anglais 韋爾遜 Michael Wilson 布若芙 Ruth Bull 史志安 Kenny Sturgeon 單簧管 Clarinets 低音單簧管 Bass Clarinet 史安祖 Andrew Simon 史家翰 John Schertle 簡博文 Michael Campbell 26

29 巴松管 Bassoons 低音巴松管 Contra Bassoon 莫班文 Benjamin Moermond 李浩山 Vance Lee 崔祖斯 Adam Treverton Jones 圓號 Horns 柏如瑟 Russell Bonifede 周智仲 Chow Chi-chung 高志賢 Marc Gelfo 李少霖 Homer Lee Siu-lam 李妲妮 Natalie Lewis 小號 Trumpets 大號 Tuba 麥浩威 Joshua MacCluer 莫思卓 Christopher Moyse 華達德 Douglas Waterston 雷科斯 Paul Luxenberg 長號 Trombones 低音長號 Bass Trombone 韋雅樂 Jarod Vermette 韋力奇 Maciek Walicki 韋彼得 Pieter Wyckoff 定音鼓 Timpani 敲擊樂器 Percussion 龐樂思 James Boznos 白亞斯 Aziz D. Barnard Luce 梁偉華 Raymond Leung Wai-wa 胡淑徽 Sophia Woo Shuk-fai 豎琴 Harp 鍵盤 Keyboard 史基道 Christopher Sidenius 葉幸沾 Shirley Ip 特約樂手 # 客席首席圓號 : 顧柏中提琴 : 凌威廉板鼓 : 謝子聰 FREELANCE PLAYERS Guest Principal Horn: David Cooper # Viola: William Lane Bangu: Eddy Tse # 承蒙達拉斯交響樂團允許參與演出 # With kind permission of the Dallas Symphony Orchestra 27

30 香港管弦樂團 HONG KONG PHILHARMONIC ORCHESTRA 下半場的布拉姆斯第四交響曲可說是港樂的歷來代表作之一 讓在場的觀眾都為港樂高素質的戮力演出引以為傲 周光蓁, 亞洲週刊 Photo: Cheung Chi Wai 香港管弦樂團 港樂 是亞洲區內最具領導地位的樂團之一, 豐富香港文化生命逾一世紀, 並已發展成一個集華人與海外音樂精英的傑出樂團, 吸引世界級藝術家同台獻藝 2012/13 樂季起, 享譽國際的梵志登正式成為香港管弦樂團的音樂總監, 他將帶領樂團繼續在藝術水平上精益求精 2006 年 4 月起, 太古集團慈善信託基金成為樂團的首席贊助, 此為港樂史上最大的企業贊助, 令樂團得以在藝術上有更大的發展, 向世界舞台邁進的同時, 將高水準的演出帶給廣大市民, 讓更多人接觸到古典音樂 港樂每年透過超過一百五十場精彩演出, 觸動逾二十萬樂迷的心靈, 當中包括各類型音樂教育活動和免費音樂會, 如極受歡迎的大型戶外交響音樂會 太古港樂. 星夜. 交響曲, 以及定期的電台錄音和電視轉播, 將古典樂的樂趣帶到社區每一個角落 走出香港, 港樂曾多次於亞洲及歐洲巡迴演出, 備受各方好評 香港管弦樂團由香港特別行政區政府資助香港管弦樂團首席贊助 : 太古集團香港管弦樂團為香港文化中心場地伙伴 28 The Hong Kong Philharmonic Orchestra (HK Phil) is one of Asia s leading orchestras. Enriching Hong Kong s cultural life for over a century, the HK Phil has grown into a formidable ensemble of Chinese and international talents, attracting world-class artists to collaborate on its stage. From the 2012/13 season, Jaap van Zweden has become Music Director of the HK Phil. Under his leadership, the HK Phil will continue to develop its reputation for artistic excellence. From April 2006, The Swire Group Charitable Trust became the HK Phil s Principal Patron. Swire s sponsorship, the largest in the ensemble s history, supports artistic growth and development as the HK Phil takes its place on the world stage, and brings performances of musical excellence to the widest possible public. The HK Phil annually touches the lives of over 200,000 music lovers through more than 150 performances including its extensive education activities for children and adults alike, and free concerts such as the popular Swire Symphony under the Stars, and regular broadcasts and telecasts, bringing the joy of classical music to the Hong Kong community. Outside of Hong Kong, the HK Phil has made a number of critically acclaimed tours in Asia and Europe. The Hong Kong Philharmonic Orchestra is financially supported by the Government of the Hong Kong Special Administrative Region SWIRE is the Principal Patron of the Hong Kong Philharmonic Orchestra The Hong Kong Philharmonic Orchestra is a Venue Partner of the Hong Kong Cultural Centre

31 樂團席位贊助基金 Chair Endowment Fund 29

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33 感謝伙伴 SALUTE TO OUR PARTNERS 香港管弦樂團衷心感謝以下機構的慷慨贊助和支持 : The Hong Kong Philharmonic Orchestra would like to express heartfelt thanks to the Partners below for their generous sponsorship and support: 主要贊助 Major Funding Body 首席贊助 Principal Patron 節目贊助 Major Sponsors 以公司英文名稱序 In alphabetical order of company name 如欲查詢有關贊助或捐款事宜, 歡迎致電 (852) 或電郵至 development@hkphil.org 與我們聯絡 For sponsorship and donation enquiries, please call (852) or development@hkphil.org. 31

34 大師會 MAESTRO CIRCLE 大師會特別為熱愛交響樂的企業及人士而設, 旨在推動香港管弦樂團的長遠發展及豐富市民的文化生活 港樂謹此向下列各大師會會員致謝 : MAESTRO CIRCLE is established for the business community and individuals who are fond of symphonic music. It aims at supporting the long-term development of the Hong Kong Philharmonic Orchestra and enriching cultural life. We heartily thank the following Maestro Circle members: 白金會員 Platinum Members David M. Webb webb-site.com 鑽石會員 Diamond Members Peter Siembab 綠寶石 Emerald Members 珍珠會員 Pearl Members 32

35 多謝支持 THANK YOU FOR YOUR SUPPORT 香港管弦樂團在此向以下商業機構及熱心人士表達由衷謝意 : 樂團席位贊助基金 CHAIR ENDOWMENT FUND 關統安 大提琴 的樂師席位由以下機構贊助 : The Musician s Chair for Anna Kwan Ton-an (cello) is endowed by the following organisation: 邱啟楨紀念基金 C. C. Chiu Memorial Fund The Hong Kong Philharmonic Orchestra would like to express our gratitude to the following corporations and individuals for their generous support: 史德琳 首席長笛 的樂師席位由以下人士贊助 : The Musician s Chair for Megan Sterling (Principal Flute) is endowed by the following donors: 蔡博川先生夫人 Mr & Mrs Alex & Alice Cai 常年經費 ANNUAL FUND HK$100,000 or above 或以上 Kerry Holdings Limited 嘉里控股有限公司 Mr & Mrs S H Wong Foundation Ltd 黃少軒江文璣基金有限公司 HK$50,000 HK$99,999 Mr & Mrs E Chan Mrs K L Chan 陳錦靈夫人 Mr & Mrs Lowell & Phyllis Chang 張爾惠伉儷 Mr & Mrs Leung Lit On 梁烈安伉儷 Mr & Mrs Alec P Tracy HK$25,000 HK$49,999 Mr Jackson Kung Ming Foo 龔鳴夫先生 Ms Tse Chiu Ming 謝超明女士 Dr Allen and Sindy Fung 馮玉麟博士伉儷 Ms Doreen Lee 李玉芳女士 Mr & Mrs Cheuk-Yan and Rotina Leung 梁卓恩先生夫人 Mrs Anna Marie Peyer Mr Stephen Tan 陳智文先生 HK$10,000 HK$24,999 Anonymous (2) 無名氏 (2) Mr Barry John Buttifant Mr Cheung Ngai Sing Mr and Mrs Edward Bagnall Mr & Mrs Ko Ying 高膺伉儷 Ms Cecilia Aw 柯明儀女士 Mr Edwin Choy 蔡維邦先生 Dr & Mrs Carl Fung Mr & Mrs Kenneth H C Fung 馮慶鏘伉儷 Mr & Mrs Fung Shiu Lam 馮兆林先生夫人 Mr & Mrs Charles & Keiko Lam Dr Lee Kin Hung 李健鴻醫生 HK$10,000 HK$24,999 Dr Lilian Leong 梁馮令儀醫生 Dr & Mrs Paul Lu Dr Mak Lai Wo 麥禮和醫生 Dr John Malpas Dr Joseph Pang Dr Tsao Yen Chow 曹延洲醫生 The Wang Family Foundation 汪徵祥慈善基金 HK$5,000 HK$9,999 Anonymous (2) 無名氏 (2) Mr Wai Kar Man Clement Mr Poon Chiu Kim Raymond 潘昭劍先生 Mr & Mrs Michael & Angela Grimsdick Dr William Ho 何兆煒醫生 Dr & Mrs Pang Wing Fuk 彭永福醫生及夫人 Dr Edmond Chan 陳振漢醫生 Mr Cheng Kwan Ming Mr Cheung Tak Lung 張德龍先生 Mr Jan Leung & Ms Emily Chow 梁贊先生及周嘉平女士 Dr Josie Close Mr Bradley D Fresia Dr Affandy Hariman Ms Teresa Hung 熊芝華老師 Mr & Mrs Jack Leung Mr & Mrs Dominic & Candice Liang Lok Yu Kim Ching Memorial Fund 駱余劍清紀念基金 Mr & Mrs Ivan Ting 丁天立伉儷 Mr Tso Shiu To Mr Augustine Lee Tit Sun Mrs Evelyn Choi Ms Poon Yee Ling Eligina 33

36 多謝支持 THANK YOU FOR YOUR SUPPORT 香港管弦樂團在此向以下商業機構及熱心人士表達由衷謝意 : The Hong Kong Philharmonic Orchestra would like to express our gratitude to the following corporations and individuals for their generous support: 學生票資助基金 student TICKET FUND HK$100,000 or above 或以上 Zhilan Foundation 芝蘭基金會 HK$50,000 HK$99,999 Kerry Holdings Limited 嘉里控股有限公司 Mrs K L Chan 陳錦靈夫人 Shun Hing Education and Charity Fund 信興教育及慈善基金 Wing Hang Bank 永亨銀行 HK$10,000 HK$24,999 Anonymous 無名氏 Mr Lawrence Mak 麥耀明先生 Mr Cheung Ngai Sing Mr & Mrs Ko Ying 高膺伉儷 Mr Chan Ching Kit Mr David Chiu Mr & Mrs Fung Shiu Lam 馮兆林先生夫人 Dr & Mrs Kwan Ka Hung 關家雄醫生及夫人 Mr & Mrs Cheuk-Yan and Rotina Leung 梁卓恩先生夫人 Dr Thomas W T Leung 梁惠棠醫生 Lo Kar Foon Foundation 羅家驩慈善基金 Dr Lo Xina Mr & Mrs Bernard Man 文本立先生夫人 Tin Ka Ping Foundation 田家炳基金會 Mr Thomas Wong Kin On 黃建安先生 Mr David Yam Yee Kwan 任懿君先生 Dr M T Geoffrey Yeh 葉謀遵博士 HK$5,000 HK$9,999 Anonymous (3) 無名氏 (3) Mr Iain Bruce Ms Tsang Kwai Fong Mr Wong Kai Kit Professor David Clarke 祈大衛教授 Mr Ian D Boyce Mr Chu Ming Leong Mr & Mrs Kenneth H C Fung 馮慶鏘伉儷 Mr Geoffrey Ko Lok Yu Kim Ching Memorial Fund 駱余劍清紀念基金 Ms Charlotte Lai 羅紫媚及 Joe Joe Dr Lee Shu Wing Ernest 李樹榮博士 Mr & Mrs Henry & Angelina Lee Mr Leung Kam Fai & Ms Lui Chi Yan 梁錦暉先生及呂智殷女士 Mr Richard Li 李景行先生 Mr Stephen Luk Mustard Seed Foundation 芥籽園基金 Mr & Mrs John & Coralie Otoshi Mr Paul Shieh Mr Tony Tsoi 蔡東豪先生 Mr Wan Chung On John Mr Wong Kong Chiu Mr Augustine Lee Tit Sun Mr and Mrs Edward Bagnall Mrs Evelyn Choi Ms Poon Yee Ling Eligina 34

37 多謝支持 THANK YOU FOR YOUR SUPPORT 贊助基金 ENDOWMENT TRUST FUND 贊助基金於一九八三年由以下機構贊助得以成立 香港賽馬會慈善信託基金 The Hong Kong Jockey Club Charities Trust 置地有限公司 The Hongkong Land Group 怡和有限公司 Jardine, Matheson & Company Ltd The Endowment Trust Fund was set up in 1983 with these initial sponsors. 豐銀行慈善基金 The Hongkong Bank Foundation 花旗銀行 Citibank, NA 香港董氏慈善基金會 The Tung Foundation 商藝匯萃 PAGANINI PROJECT 此計劃由 商藝匯萃 發起及組織 汪穗中先生捐贈艾曼. 謝曼明 (1907) 小提琴. 由冒田中知子小姐使用 張爾惠先生捐贈洛治. 希爾 (c.1800) 小提琴. 由王亮先生使用 鍾普洋先生捐贈多尼. 哈達 (1991) 大提琴. 由張明遠先生使用 史葛. 羅蘭士先生捐贈安素度. 普基 (1910) 小提琴. 由張希小姐使用 This project is initiated and organised by Business for Art Foundation. Donated by Mr Patrick Wang Emile Germain (1907) Violin, played by Ms Tomoko Tanaka Mao Donated by Mr Lowell Chang Lockey Hill (c.1800) Violin, played by Mr Wang Liang Donated by Mr Po Chung EDawne Haddad (1991) Violoncello, played by Mr Cheung Ming-yuen Donated by Mr Laurence Scofield Ansaldo Poggi (1910) Violin, played by Ms Zhang Xi 樂器捐贈 INSTRUMENTAL DONATION 香港管弦協會婦女會捐贈 所捐贈之罕有樂器 安域高. 洛卡 (1902) 小提琴. 由程立先生使用 桑. 巴蒂斯. 維爾翁 (1866) 小提琴由第三副團長朱蓓小姐使用 約瑟. 加里亞奴 (1788) 小提琴由團長尤瑟夫維奇先生使用 卡洛. 安東尼奧. 狄斯多尼 (1736) 小提琴, 由倪瀾先生使用 為支持 提升樂團樂器素質計劃 而捐贈之其他樂器 德國轉閥式小號兩支 德國華格納大號乙套 翼號乙支 Donated by The Ladies Committee of the Hong Kong Philharmonic Society Rare instruments donated Enrico Rocca (1902) Violin, played by Mr Cheng Li Jean-Baptiste Vuillaume (1866) Violin, played by Ms Bei Zhu, Third Associate Concertmaster Joseph Gagliano (1788) Violin, played by Mr Igor Yuzefovich, Concertmaster Carlo Antonio Testore (1736) Violin, played by Mr Ni Lan Other instruments donated in support of the Instrument Upgrade and Enhancement Project Two German Rotary Trumpets A set of Wagner Tubas A Flugelhorn 35

38 香港管弦協會有限公司 THE HONG KONG PHILHARMONIC SOCIETY LIMITED 名譽贊助人 Honorary Patron 執行委員會 Excecutive Committee 行政長官梁振英先生 The Chief Executive The Hon C Y Leung, GBM, GBS, JP 劉元生先生 主席 Mr Y. S. Liu Chair 董事局 劉元生先生 主席 Board of Governors Mr Y. S. Liu Chairman 蔡關穎琴律師蔡寬量教授伍日照先生冼雅恩先生蘇澤光先生 財務委員會 Mrs Janice Choi, MH Prof. Daniel Chua Mr Daniel Ng Yat-chiu Mr Benedict Sin Nga-yan Mr Jack C. K. So, GBS, OBE, JP Finance Committee 蘇澤光先生 副主席 伍日照先生 司庫 Mr Jack C. K. So, GBS, OBE, JP Vice - Chairman Mr Daniel Ng Yat-chiu Treasurer 冼雅恩先生 主席 霍經麟先生劉元生先生伍日照先生黃錦山先生黃文耀先生 Mr Benedict Sin Nga-yan Chair Mr Glenn Fok Mr Y. S. Liu Mr Daniel Ng Yat-chiu Mr Kenny Wong Kam-shan Mr Robert T. Wong 陳祖泳女士邱詠筠女士蔡關穎琴律師蔡寬量教授霍經麟先生湯德信先生喬浩華先生林煥光先生梁馮令儀醫生劉靖之教授羅志力先生蘇兆明先生冼雅恩先生董溫子華女士黃錦山先生 Ms Joanne Chan Ms Winnie Chiu Mrs Janice Choi, MH Prof. Daniel Chua Mr Glenn Fok Mr David Fried Mr Peter Kilgour Mr Lam Woon-kwong, GBS, JP Dr Lilian Leong, BBS, JP Prof. Liu Ching-chih Mr Peter Lo Chi-lik Mr Nicholas Sallnow-Smith Mr Benedict Sin Nga-yan Mrs Harriet Tung Mr Kenny Wong Kam-shan 籌款委員會 蔡關穎琴律師 主席 蘇澤光先生 副主席 陳天賜先生邱詠筠女士湯德信先生雲晞蓮女士馬清鏗先生伍日照先生施彼德先生 Fundraising Committee Mrs Janice Choi, MH Chair Mr Jack C. K. So, GBS, OBE, JP Vice-Chair Mr Chan Tin Chi Ms Winnie Chiu Mr David Fried Mrs Wendy Hegglin Mr Patrick Ma, BBS, JP Mr Daniel Ng Yat-chiu Mr Peter Siembab 聽眾拓廣委員會 Audience Development Committee 贊助基金委員會 伍日照先生 主席 林煥光先生劉元生先生冼雅恩先生 Endowment Trust Fund Board of Trustees Mr Daniel Ng Yat-chiu Chair Mr Lam Woon-kwong, GBS, JP Mr Y. S. Liu Mr Benedict Sin Nga-yan 蔡寬量教授 主席 龐樂思先生陳祖泳女士邱詠筠女士紀大衛教授李偉安先生梁馮令儀醫生羅志力先生 Prof. Daniel Chua Chair Mr James Boznos Ms Joanne Chan Ms Winnie Chiu Prof. David Gwilt, MBE Mr Warren Lee Dr Lilian Leong, BBS, JP Mr Peter Lo Chi-lik 36

39 行政人員 Management 發展部 Development 麥高德 行政總裁 Michael MacLeod Chief Executive 譚穎敏 發展經理 Myra Tam Development Manager 行政及財務部 Administration and Finance 張慧芝 發展助理經理 Anna Cheung Assistant Development Manager 何黎敏怡 行政及財務總監 Vennie Ho Director of Administration and Finance 朱荻恩 發展助理經理 Judy Chu Assistant Development Manager 張嘉雯 人力資源經理 Cherish Cheung Human Resources Manager 韓嘉怡 發展助理經理 Kary Hon Assistant Development Manager 李康銘 財務經理 Homer Lee Finance Manager 市場推廣部 Marketing 李家榮 資訊科技及項目經理 Andrew Li IT and Project Manager 譚兆民 市場推廣總監 Paul Tam Director of Marketing 郭文健 行政及財務助理經理 陳碧瑜 行政秘書 蘇碧華 行政及財務高級主任 蘇美樺 資訊科技及行政助理 Alex Kwok Assistant Administration and Finance Manager Rida Chan Executive Secretary Vonee So Senior Administration and Finance Officer Emma So IT and Administrative Assistant 陳剛濤 市場推廣經理 陳嘉惠 編輯 趙綺鈴 市場推廣助理經理 陸可兒 企業傳訊助理經理 Nick Chan Marketing Manager Chan Ka Wai Publications Editor Chiu Yee Ling Assistant Marketing Manager Alice Luk Assistant Corporate Communications Manager 陳麗嫻 接待員 Pamela Chan Receptionist 林美玲 客務主任 Alice Lam Customer Service Officer 梁錦龍 辦公室助理 Sammy Leung Office Assistant 黃穎詩 巿場及傳訊主任 Natalie Wong Marketing Communications Officer 藝術策劃部 Artistic Planning 樂團事務部 Orchestral Operations 韋雲暉 藝術策劃總監 Raff Wilson Director of Artistic Planning 楊劍騰 署理樂團事務總監 Ambrose Yeung Acting Director of Orchestral Operations 王嘉瑩 藝術策劃經理 Michelle Wong Artistic Planning Manager 陳國義 舞台經理 Steven Chan Stage Manager 葉掌珠 教育及外展助理經理 Jennifer Ip Assistant Education and Outreach Manager 何思敏 樂譜管理 Betty Ho Librarian 羅芷欣 藝術策劃助理 Christy Law Artistic Planning Assistant 簡宏道 署理樂團人事經理 Russell Kan Acting Orchestra Personnel Manager 林奕榮 教育及外展主任 Lam Yik Wing Education and Outreach Officer 丁美雲 樂團事務助理經理 Natalie Ting Assistant Orchestral Operations Manager 香港管弦協會有限公司 The Hong Kong Philharmonic Society Limited 香港九龍尖沙咀香港文化中心行政大樓八樓 Level 8, Administration Building, Hong Kong Cultural Centre, Tsim Sha Tsui, Kowloon, Hong Kong 電話 Tel: 傳真 Fax: 網頁 Website: hkphil.org 黎樂婷 樂團事務主任 蘇近邦 運輸及舞台主任 Erica Lai Orchestral Operations Officer So Kan Pong Transportation and Stage Officer 37

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41 列寧格勒交響曲 LENINGRAD SYMPHONY 19 & Fri & Sat 8pm Hong Kong Cultural Centre Concert Hall 陳萬榮 Melvyn Tan/piano 莫扎特降 E 大調第廿二鋼琴協奏曲蕭斯達高維契第七交響曲 列寧格勒 Lawrence Renes/conductor Photo: Marco Borggreve MOZART Piano Concerto No.22 in E flat SHOSTAKOVICH Symphony No.7 Leningrad 安蘇菲. 慕達 ANNE-SOPHIE MUTTER 贊助 SPONSORED BY MERCEDES-BENZ 16 & Fri & Sat 8pm Hong Kong Cultural Centre Concert Hall Michael Francis/conductor Anne-Sophie Mutter/violin 楊納傑克 塔拉斯. 布爾巴 庫爾埃 時光機 為小提琴及樂團而作德伏扎克小提琴協奏曲 JANÁCEK Taras Bulba SEBASTIAN CURRIER Time Machines for violin and orchestra DVORÁK Violin Concerto 查詢 ENQUIRY 購票 TICKETS 月 28 日的音樂會由香港電台錄音及錄影, 香港電台第四台 FM MHz 現場直播 電台及電視節目將於 10 月 20 日 星期六 晚上 8 時 30 分由香港電台第四台 香港電台網上廣播站 rthk.hk 及亞洲電視國際台同步播出 香港電台製作人員電台製作 / 錄音監製馬盈盈 / 電台節目主持盧迪思 賴建群 / 電視製作 / 監製張永添 / 編導蕭婉棠 / 助理編導林昆譽 何沚箋 / 樂譜顧問李嘉盈 / 實地錄影統籌鄧美蘭 / 電台及電視製作工程電訊盈科廣播工程 The 28th Sep concert is recorded by the RTHK and broadcast live by the RTHK Radio 4 (FM Stereo MHz). The audio-visual recording will be simulcast via Radio 4, RTHK s website (rthk.hk) and ATV World on 20th Oct (Sat) at 8:30 pm. RTHK PRODUCTION TEAM Radio Production/Recording Producer Tina Ma/Radio Presenters Stacey Rodda, Calvin Lai/ TV Production/Executive Producer Tim Cheung/Producer Cynthia Siu/Assistant Producer Jeffrey Lam, Eunice Ho/Music Score Advisor Jenny Lee/Mobile Production Unit Jolly Tang/Radio and TV Outdoor Broadcast Engineering PCCW Broadcasting Section 39

42 A G R E AT J O U R N E Y C O N T I N U E S... 德意志安魂曲 A GERMAN REQUIEM & Fri & Sat 8pm, Hong Kong Cultural Centre Concert Hall 港樂首演 HK Phil Première Tickets on sale now S E E Y O U I N N O V E M B E R 40

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