一省署時期的臺灣戲劇及戲劇特刊

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1 14 Journal of Theater Studies DOI: /JOTS 一個戲劇的公共輿論空間 * 戰後初期臺灣報紙的戲劇特刊分析前言 * H MY

2 一省署時期的臺灣戲劇及戲劇特刊

4 9 二戰後初期臺灣報紙副刊之戲劇特刊內容一黑暗的坑雷雨

6 二靈魂的鏡子守財奴

7 三海派劇風四姐妹

8 22 四創格完人鄭成功

10 五族群團結國家至上三這些人與文戰後初期報紙戲劇特刊分析

11 一作者幾為外省文化人

13 二劇本演出介紹多於劇場批評

14 52 53 三反應改造現實的主導原則

16 結語

18 一個戲劇的公共輿論空間戰後初期臺灣報紙的戲劇特刊分析關鍵字 : 臺灣戰後初期戲劇特刊話劇新中國劇社 -68-

19 Public Opinions about a Drama Analysis of Special Issues Devoted to Dramas in Taiwan s Newspapers in the Early Postwar Period Ya-hsiang HSU Professor, Department of Theater Arts, Chinese Culture University During the anti-japanese war, with the prosperous development of modern dramas, dramatic criticism was important content of art and cultural supplements in newspapers of the home front. In addition, the special issues devoted to dramas in supplements were not only the features of dramatic criticism during the war, but also furnished a special window on dramatic criticism. In the early postwar period, Taiwan s newspaper industry had temporarily thrived and flourished because of the free political atmosphere during peace negotiations between the Kuomintang (KMT) and the Communist Party prior to the Chinese civil war. Due to the influence of national ideology, realistic material conditions, journalists of other provinces and their professional thinking models, Taiwan s official and civilian-run newspapers also duplicated the model of art and cultural supplements in Chinese newspapers during the war against Japan, to introduce readers to Chinese plays and other dramas performed in Taiwan through the special issues featuring dramas in art and cultural supplements of Peace Daily, China Daily News, Self-Strengthening Post and Liberty Daily. This not only urged Taiwanese readers to understand and evaluate dramas of their homeland, but also infused specific meanings and values into their texts and performances, which made public opinion an important channel for cultural identity, meeting the demands of the times and politics, as well as of the circulation of dramas. This study found that five Chinese modern dramas, published in the special issues for dramas in newspapers in the early postwar period, had three features: the authors of the dramas were mostly intellectuals coming from Mainland China, the introduction of plays or performances was more than dramatic criticism, and their guiding principles reflected and reformed reality. The special issues devoted to dramas that were short-lived yet frequently published presented the power of the new government to promote Chinese modern dramas in Taiwan, and the support of the press to intensively propagandize and form the image of modern dramas. In addition, as the authors of modern dramas were mostly intellectuals from Mainland China, the space of public opinion could be relatively elaborated. Moreover, it was another prevalent phenomenon that newspapers -69-

20 with different backgrounds such as party-run, military-run or civilian-run paid more attention to local drama performances because of their proximity to the locations of newspaper offices. Keywords: Taiwan early postwar period pecial issues devoted to dramas modern drama the New-China Troupe -70-

21 徵引書目

22 -72-

3 一戰後初期中國劇作在臺演出史略 ( )

3 一戰後初期中國劇作在臺演出史略 ( ) 12 Journal of Theater Studies 2013 7 121-164 DOI: 10.6257/JOTS.2013.12121 戰後初期中國劇作在臺演出實踐探析 * 前言 1 2 * 101-2410-H-034-032-MY220121020-212012NTU 1 1945-19472007 2 19371112 1941 12 1945815-121- 3 一戰後初期中國劇作在臺演出史略

一 省署時期的臺灣戲劇及戲劇特刊

一省署時期的臺灣戲劇及戲劇特刊