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1 Tibetan Studies No12 May 2007 (, ) [] ; ; [ ],,,;, [ ] K [ ]A [ ] (2007) ,,,,,, ,,, [1 ] ,,, [2 ], :, , :: : ;: : ;: :, [ ] [ ] ( 05JJD850004) 985 [ ] (1957 ),, 985,, 49

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13 [A ]1 [ C],,20061 [3 ][25 ]1 [ M ]1 :,2006 :2741 [4 ][10 ][12 ][13 ]1 [J ]1,2006, (7) : [6 ]1 [ A ]1 [ C]1,20061 [7 ] [A ]1 :,2005 :1251 [9 ]1 : [J ]1,2006, (3) :941 [11 ]1 P. T [J ]1,1989, (3) 1 [14 ][15 ][16 ][17 ] [ 18 ] [ 19 ] [ 11 ] : [20 ][21 ][22 ][23 ][ ] F. W 1 [ M ] 1 1 :, 2003 : [24 ] : [ M ]1 :,1992 :1641 [26 ] 1 [J ] 1, 2004 (12) : [27 ]1 [ M ]1,1990 :321 [28 ] 1 : [ M ]1 :,2002 : [29 ]1 [ M ]1 :, 1991 : [30 ]1 [ A ]1 [ C]1 :,2004 : Preliminary Observations and Studies on the Wooden Coff in Pa intings of Tubo Dynasty Excavated in Qingha i Province HUO Wei ( Center f or Tibetan S t udies of S ichuan U niversity, Chengdu, S ichuan , Chi na) Key words :Tubo archeology,bon funeral rituals,wooden coffin paintings Abstracts :Some examples of painted wooden coffins of Tubo Dynasty recently excavated in Dulan, Qinghai Province. Some scholars have made their preliminary studies on these paintings, but the explanations are quite different. In this article, the author gives a fur2 ther study on these paintings integrating both Chinese and Tibetan texts with related archaeological materials on nationalities in central China mainland and north China. The author thinks that what these wooden coffin paintings reflect is not the usual so - called scene of social life. It reveals intuitively the influence of Bon funeral rituals which prevailed in Tibet proper on those areas occupied or con2 trolled by Tubo Dynasty. The origin of the owner of the tomb should be the Tuyuhun of Xianbei of north China. However, besides the influences from Tubo Tibetan culture, simultaneously Tuyuhun culture also received the influences from central China mainland and central Asia. These paintings reveal different multicultural elements in Tubo culture in Qinghai. [ :] 61

仁达摩崖造像的题材为大日如来佛像及八大疾病等诸恶果水坠恶途法律也对反佛者从其祖弟子八大菩萨二飞天等以往的研究者从考古先亲属起施行故无论任何人均不得詈骂图像本身的考订入手对此处石刻的题材定名造讥讽像风格组合关系等方面已经给予了较多关注观这次调查工作还特别注意到以往

仁达摩崖造像的题材为大日如来佛像及八大疾病等诸恶果水坠恶途法律也对反佛者从其祖弟子八大菩萨二飞天等以往的研究者从考古先亲属起施行故无论任何人均不得詈骂图像本身的考订入手对此处石刻的题材定名造讥讽像风格组合关系等方面已经给予了较多关注观这次调查工作还特别注意到以往第 30 卷第 2 期西藏大学学报(社会科学版) JOURNAL OF TIBET UNIVERSITY 2015 年 6 月 Vol.30 No.2 Jun.2015 霍巍四川大学中国藏学研究所四川成都 610064 摘要近年来在青藏高原东麓相继发现了一批吐蕃时期的摩崖造像其中有三处造像地点都明确记载了造像的组织者为吐蕃高僧益西央 ye-shes-dbyang 这是我们理解这批新发现考古材料关键性的线