Judith Butler Athena Athanasiou Dispossession: The Performative in the Political dispossessed subject Marriam-Webster dispossessed deprived of homes,

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1 16 Journal of Theater Studies DOI: /JOTS * 前言 activist * -217-

2 Judith Butler Athena Athanasiou Dispossession: The Performative in the Political dispossessed subject Marriam-Webster dispossessed deprived of homes, possessions, and security 1 manifesto 1 Judith Butler and Athena Athanasiou, Dispossession: The Performative in the Political (New York: Polity, 2013), p. xi

possessions, and security 1 manifesto 1 Judith Butler and Athena Athanasiou,

3 html

4 3 一私記憶的極度疏離化複調敘事與根莖編劇

5 6 Bertolt Brecht Bertolt Brecht, Brecht on Theatre: The Development of an Aesthetic, eds. Steve Giles, Marc Silberman, and Tom Kuhn, trans. John Willett, 13th edition (London: Hill and Wang, 1964), pp

6 9 Augusto Boal Theatre of the Oppressed

7 11 Diana Taylor Archive Repertoire Paul Ricoeur, Memory, History, Forgetting, trans. Kathleen Blamey and David Pellauer (Chicago: University Of Chicago Press, 2004). 12 Diana Taylor, The Archive and the Repertoire: Performing Cultural Memory in the Americas (Durham: Duke University Press Books, 2003), pp

Kathleen Blamey and David Pellauer (Chicago: University Of Chicago Press, 2004).

8 Gilles Deleuze Félix Guattari A Thousand Plateaus rhizome Gilles Deleuze and Félix Guattari, A Thousand Plateaus, trans. Brian Massumi (Minneapolis: University of Minnesota, 1987), pp simulacrum Jean Baudrillard, Simulacra and Simulation, trans. Sheila Faria Glaser (Ann Harbor: University of Michigan Press, 1995), pp

Brian Massumi (Minneapolis: University of Minnesota, 1987), pp. 7-25.

10 Roland Barthe empty signifier body without organs Gilles Deleuze and Félix Guattari, A Thousand Plateaus Gilles Deleuze

11 二受逐屬性自反性戲劇語言 -227-

13 self-reflexivity

15 25 necessary error 26 queer Michael Warner Fear of A Queer Planet Judith Butler, Critically Queer, GLQ 1.1 (1993): Michael Warner, Fear of Queer Planet: Queer Politics and Social Theory (Minneapolis: University of Minnesota Press, 1993), p. xiii

27 Michael Warner, Fear of Queer Planet: Queer Politics and Social

16 productive hegemonic Lee Edelman Lee Edelman, No Future: Queer Theory and the Death Drive (Durham: Duke University Press, 2004), pp

17 30 三舞台符號的操演性中性之椅與策展劇場 31 Keir Elam 30 Marga Gomez Carmelita Tropicana Split Britches

18 32 32 Keir Elam, The Semiotics of Theatre and Drama (London ; New York: Routledge, 2002), pp

19 Peter Brook The Empty Space Peter Brook, The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate (New York: Touchstone, 1995), p

20 Bill Brown, Thing Theory, Critical Inquiry 28.1 (2001): Artalks Marvin Carlson, The Haunted Stage: The Theatre as Memory Machine (Ann Arbor: University of Michigan Press, 2003), pp

tw/juries/chh/2014053103 2014 11 10 37 Marvin Carlson, The Haunted Stage:

21 39 Benedict Anderson Imagined Communities 40 四從規訓肉身到抗爭肉身 Jacques Ranciere, The Emancipated Spectator (London: Verso, 2011), pp Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London: Verso, 2006), pp

22 Artalks Peter Brook, Body Work: Objects of Desire in Modern Narrative (Cambridge, Mass: Harvard University Press, 1993), pp

24 Michel Foucault Discipline and Punishment 46 panopticism Michel Foucault, Discipline & Punish: The Birth of the Prison, trans. Alan Sheridan (New York: Vintage, 2012), pp

25 Marianne Hirsch postmemory Marianne Hirsch, The Generation of Postmemory, Poetics Today 29.1 (2008):

27 2014 OK 51 OK Susan Leigh Foster Choreographies as Protest choreographing

28 politics 54 Randy Martin mind Susan Leigh Foster, Choreographies as Protest, Theatre Journal 55.3 (2003): Randy Martin, Performance as Political Act: The Embodied Self (New York: Praeger, 1990), pp Judith Butler, Critically Queer, GLQ 1.1 (1993):

29 corporeal vulnerability Judith Butler and Athena Athanasiou, Dispossession: The Performative in the Political (Malden, MA: Polity, 2013), p

30 結論 Konstantin Stasnislavsky

32 關鍵字 : 臺灣抗爭受逐自反性當代劇場 -248-

33 Protesting Self-reflexive Theatricality: The Cyclops Troupe s The Rose Colored Country Fan-ting CHENG Assistant Professor, Graduate Institute of Performing Arts, National Taiwan Normal University Wei-chih WANG PhD Candidate, Department of Comparative Literature, Pennsylvania State University From 2013 to 2014, a series of citizen demonstrations took place in Taiwan, reflecting the group conflicts, political traumas, and imaginings of identity layered and accumulated on this island over half a century. The Cyclops Troupe s experimental production The Rose Colored Country, premiered in 2013 at Keelung Cultural Center, weaves together local historical events and social movements through rhizomic and heteroglossic narratives, presenting the performative subjects possible agency and their limits. Employing national/insular identity theories, queer epistemologies, performance analysis, and concepts of political-aesthetic alliances, this paper develops Judith Butler and Athena Athanasiou s notion of dispossession into a model that helps investigate the theatrical disposition of the piece, including the script, the narration, the staging, the acting, and the entire mise en scène of the theater space. This paper argues that the hyper-reflexive theatrical aesthetics of The Rose Colored Country reveal its ambivalent political character of being incorporation and resistance, underscoring the ways in which performative subjects struggle between constructedness and decolonization. These tactics expose the complex apparatus of the politicalaesthetic production and constitute a guerrilla form of protest that highlights how the performance on stage flexibly engages with and against performances off stage. Keywords: Taiwan Protest Dispossession Self-reflexivity Contemporary Theater -249-

34 徵引書目 Artalks Artalks html Gilles Deleuze 2000 Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, Baudrillard, Jean. Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor: University of Michigan Press, Brecht, Bertolt. Brecht on Theatre: The Development of an Aesthetic. Eds. Steve Giles, Marc Silberman, and Tom Kuhn. Trans. John Willett. 13 th Edition. London: Hill and Wang, Brook, Peter. Body Work: Objects of Desire in Modern Narrative. Cambridge, Mass: Harvard University Press, The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate. New York: Touchstone, Brown, Bill. Thing Theory. Critical Inquiry 28.1 (2001): Butler, Judith, and Athena Athanasiou. Dispossession: The Performative in the Political. Malden, MA: Polity, Butler, Judith. Critically Queer. GLQ 1.1 (1993): Carlson, Marvin. The Haunted Stage: The Theatre as Memory Machine. Ann Arbor: University of Michigan Press, Deleuze, Gilles, and Felix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: University of Minnesota Press, Edelman, Lee. No Future: Queer Theory and the Death Drive. Durham: Duke University Press,

35 Elam, Keir. The Semiotics of Theatre and Drama. London: Routledge, Foster, Susan Leigh. Choreographies as Protest. Theatre Journal 55.3 (2003): Foucault, Michel. Discipline & Punish: The Birth of the Prison. Trans, Alan Sheridan. New York: Vintage, Hirsch, Marianne. The Generation of Postmemory. Poetics Today 29.1 (2008): Martin, Randy. Performance as Political Act: The Embodied Self. New York: Praeger, Ranciere, Jacques. The Emancipated Spectator. London: Verso, Ricoeur, Paul. Memory, History, Forgetting. Trans. Kathleen Blamey and David Pellauer. Chicago: University Of Chicago Press, Taylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Durham: Duke University Press Books, Warner, Michael. Fear Of A Queer Planet: Queer Politics and Social Theory. Minneapolis: University Of Minnesota Press,

36 -252-

戲劇研究第十七期 2 3 目前可見此劇之多種抄本說明此劇自清初寫成之後上演傳唱不絕無論就戲曲文本或演出而言千忠錄在明清文學與文化場域重要性不可忽略近年來隨著傅惜華藏古典戲曲珍本叢刊與北大藏程硯秋玉霜簃戲 4 曲珍本叢刊的問世以及兩部此劇現代點校本的出版相當程度上便

戲劇研究第十七期 2 3 目前可見此劇之多種抄本說明此劇自清初寫成之後上演傳唱不絕無論就戲曲文本或演出而言千忠錄在明清文學與文化場域重要性不可忽略近年來隨著傅惜華藏古典戲曲珍本叢刊與北大藏程硯秋玉霜簃戲 4 曲珍本叢刊的問世以及兩部此劇現代點校本的出版相當程度上便戲劇研究第 17 期 Journal of Theater Studies 2016 年 1 月頁1-40 DOI: 10.6257/JOTS.2016.17001 清初千忠錄裡的身體聲情與忠臣記憶 * 劉瓊云中央研究院中國文哲研究所助研究員前言一問題所在戲曲學者大多同意千忠錄傳奇乃一部結構謹嚴聲情並茂的好 1 戲然而針對此劇的深入研究卻相當有限此劇敘述