05_如何批判文化工業_何乏筆_.doc

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1 (Theodor W. Adorno) 1 * NSC H Gernot Böhme, Zur Kritik der ästhetischen Ökonomie, Zeitschrift für kritische Theorie, Contribution to the Critique of the Aesthetic Economy, Thesis Eleven 73 (2003): Oct. 18, 2004 / Nov (Winter 2004):17-35

2 _ _18 (Michel Foucault) 2 (Arnold Schönberg) (Max Horkheimer) 2. ( 2002)

3 (autoritärer Charakter) (Herbert Marcuse) (sublimation) (desublimation) 3 (Heteronomie ) (Autonomie) 3. The desublimation of reason is just as essential a process in the emergence of a free culture as is self-sublimation of sensuousness. In the established system of domination, the repressive structure of reason and the repressive organization of the sense-faculties supplement and sustain each other. Herbert Marcuse, Eros and Civilization, A Philosophical Inquiry into Freud (Boston: Beacon, 1974 [1955]) _

4 4 (Durchformung) (Durchbildung) 5 4.Adorno, Ästhetische Theorie, Gesammelte Schriften, vol. 7 (Frankfurt am Main: Suhrkamp Verlag, 1997) GS Aesthetic Theory, newly translated, edited, and with a translator's introduction by Robert Hullot-Kentor (Minneapolis: U of Minnesota P, 1997) 252 ( 1998) (2002) ( 2004) 5.Adorno, Ästhetische Theorie, GS 7: _ _20

edited, and with a translator's introduction by Robert Hullot-Kentor (Minneapolis: U of

5 (Wahrheitsgehalt) (Gestalt) 6 (Individuation) 7 (Leibniz) [ ] 6.Adorno, Ästhetische Theorie, GS 7: _

6 8 9 8.Adorno, Ästhetische Theorie, GS 7: Adorno, Ästhetische Theorie, GS 7: _ _22

7 (Menschheit) 10 [ ] Adorno, Ästhetische Theorie, GS 7: Adorno, Ästhetische Theorie, GS 7: (2004): _

8 13 15 (mimesis ) Adorno, Ästhetische Theorie, GS 7: Adorno, Ästhetische Theorie, GS 7: Adorno, Ästhetische Theorie, GS 7: _ _24

9 ? Adorno, Ästhetische Theorie, GS 7: Adorno, Ästhetische Theorie, GS 7: _

10 18 (Erfahung) (Erlebnis ) (Freiheit zum Objekt) Adorno, Ästhetische Theorie, GS 7: Adorno, Ästhetische Theorie, GS 7: _ _26

11 (Einzelheit) 20 (falsche Identität) 20. Max Horkheimer, and Theodor W. Adorno, Dialektik der Aufklärung, GS 3: Dialectic of Enlightenment, Philosophical Fragments, ed. Gunzelin Schmid Noerr, trans. Edmund Jephcott (Stanford (California): Stanford UP, 2002) 99 ( 2003) _

Enlightenment, Philosophical Fragments, ed.

12 [ ] 21 [ ] Horkheimer and Adorno, Dialektik der Aufklärung, GS 3: Horkheimer and Adorno, Dialektik der Aufklärung, GS 3: _ _28

13 29_ Horkheimer and Adorno, Dialektik der Aufklärung, GS 3:

14 24 (bürgerliche Kunst) Horkheimer and Adorno, Dialektik der Aufklärung, GS 3: Adorno, Kultur und Verwaltung, GS 8 (Soziologische Schriften I) Herbert Marcuse, Counterrevolution and Revolt (Boston: Beacon Press, 1972) 118 _ _30

25. Adorno, Kultur und Verwaltung, GS 8 (Soziologische Schriften

15 Adorno,.. Résumé.über. Kulturindustrie,..GS 10.1: 338;.. Cultural.Industry Reconsidered, The Culture Industry: Selected Essays on Mass Culture (London: Routledge, 1991) 86; Jeffery C. Alexander, Steven Seidman _

16 (popular culture ) (populist politics) 28.Adorno, Résumé über Kulturindustrie, GS 10.1: Adorno, Résumé über Kulturindustrie, GS 10.1: Adorno, Résumé über Kulturindustrie, GS 10.1: _ _32

1: 338-339 86 320. 29.1: 340 89 324. 30.1: 345 92 327.

17 Adorno, Theodor Wiesengrund. Ästhetische Theorie. Gesammelte Schriften, vol. 7. Frankfurt am Main: Suhrkamp Verlag, Aesthetic Theory. Trans. and ed. Robert Hullot-Kentor. Minneapolis : U of Minnesota P, Kultur und Verwaltung, Gesammelte Schriften, vol. 8. Frankfurt am Main: Suhrkamp Verlag, Résumé über Kulturindustrie, Gesammelte Schriften, vol Frankfurt am Main: Suhrkamp Verlag, Cultural Industry Reconsidered. The Culture Industry: Selected Essays on Mass Culture. London: Routledge, Jeffery C. Alexander, Steven Seidman Philosophie der neuen Musik. Gesammelte Schriften, vol. 12. Frankfurt am Main: Suhrkamp Verlag, Böhme, Gernot. Zur Kritik der ästhetischen Ökonomie, Zeitschrift für kritische Theorie, Contribution to the Critique of the Aesthetic Economy. Thesis Eleven. 73 (2003): Horkheimer, Max, and Theodor Wiesengrund Adorno. Dialektik der Aufklärung. Gesammelte Schriften, vol. 3. Frankfurt am Main: Suhrkamp Verlag, Dialectic of Enlightenment, Philosophical Fragments. Ed. Gunzelin Schmid Noerr. Trans. Edmund Jephcott. Stanford (California): Stanford UP, 2002.? 2003 Heubel, Fabian. Das Dispositiv der Kreativität. Darmstadt: Wissenschaftliche Buchgesellschaft, Marcuse, Herbert. Eros and Civilization, A Philosophical Inquiry into Freud. Boston: Beacon, Counterrevolution and Revolt. Boston: Beacon, (2004): (2002) _

10.1. Frankfurt am Main: Suhrkamp Verlag, 1997. Cultural Industry Reconsidered. The Culture Industry: Selected Essays on Mass Culture. London: Routledge, 1991. Jeffery C.

18 ABSTRACT Contemporary philosophy knows the tendency to regard the self as something which can be created like a work of art. This idea makes it necessary to reconsider the concept of the artwork. One possible way of doing this is to interconnect Michel Foucault s theory of self-cultivation and Adorno s aesthetic theory, Foucault s concept of self-creation and Adorno s concept of the artwork. This paper tries to interpret the process character of the artwork as a process of subjectivation, and thus to broaden the philosophical perspective for reflections on the notion of aesthetic cultivation. Adorno analyzes the critique of culture from two different angles: from the critique of spiritual, elite or high culture and from the critique of material, mass or low culture. Those two critical angles constitute the double direction of his critical aesthetics. Adorno s critique of culture industry is based on the idea of an egalitarian dialectics between spiritual and material culture, reason and sensibility, mind and impulse. This paper interprets Adorno s dialectics as a starting point to further develop the double character of aesthetic cultivation as a twofold process of both ascending and descending cultivation, sublimation and desublimation. Keywords: Theodor W. Adorno, aesthetic theory, artwork, culture industry, aesthetic cultivation, Michel Foucault _ _34

This paper tries to interpret the process character of the artwork as a process of subjectivation, and thus to broaden the philosophical perspective for reflections on the notion of aesthetic

19 31 (Fabian Heubel) DAAD DAAD (Darmstadt) Das Dispositiv der Kreativität(Darmstadt 2002) 35_

empirical theory traditional theory ( 85) (Horkheimer,1969 89 43) (Kuhn, 1996) (The Structure of Scientific Revolutions) (paradigm) (scientific revolu

* * (Friedrich Nietzsche) ( 85) 105 (Habermas,1971 89) (critical theory) (theories) (Gibson, 1986 77) (Horkheimer, 1969 89) ( 90) Percy Bridgman, Patton(1990 84) 113 15 empirical theory traditional theory