1 想造工事 簡而言之, 就是將想像的事物創造出來的過程, 在這過程之中, 我們試圖讓想像力去掌權, 去主張, 去我們還想像 The concept of the exhibition Imaginary Construction is to present inspirational works that show a divergent thinking process. These works portray a wide range of subjects that 1 想造工事 不到的地方... 每每, 總會發 represent an unlimited Imaginary 現, 下一刻的想像, 往往青出於 imagination. However, these 藍 works all connect with the Construction 有用主張 此次展覽, 我們選擇一種材料, 著手想像並展現這過程, 沒有特定公式, 秉持實驗精神與直覺轉化, 向觀眾呈現我們以無限想像為基礎所發展出來作品 environment. We d like to offer a new point of design beyond the rules by combining different elements, such as imagination, requirements, and environment. 2 The brand objective of 木入三分 講求一個好的設計 Wood into Thirds is based 商品, 實木元素只要占三分就足 on two simple design 夠, 搭配其它元素就能達到完美生活中的木質 Wood into paradigms Simplicity in 商品的呈現, 故以 木入三分 design and practicality in 木入三分為名 模式 Thirds products. 設計: 簡單在簡單 商品 : 實 A great product containing a 用在實用 這兩大理念為 木入 third of wood element would 三分 的品牌宗旨 be sufficient. Combining that
2 with other aspects is the key to the perfect final product. It's the reason we named our design label Wood into Thirds. Orchids House is the place for promoting orchids and combing orchids with different materials in a creative way. As we all know, the sunlight is 蘭舍以銷售蘭花為主, 而植物生 Light in 長與陽光有著密切的關係 展覽 3 光與蘭形式將以光與蘭花進行結合, 呈 Orchids 現包裝多用途及多種組合方式, 以因應蘭花各種不確定性 indispensable elements for the growth of orchids and other plants. Therefore, designers 藍采文藝 develop the concept of light in the packaging of orchids for this project. In this way, designers choose the corrugated board to present this idea and the multi-purpose packaging for different size of orchids.
3 The design strategy is to represent the contemporary spirit by incorporating traditional materials in 4 化物鍊石 Floating Stone 5 遊走 Tainan Tour 利用台灣傳統建築生活中常見之素材重新組合 分割等設計方式, 勾勒出象徵現代之浮石形態, 意在詮釋舊材料在新時代上的可塑性, 並藉由反射環境與作品之變化拓印時間痕跡 城市的游移是設計創作者提升靈感的一種方式, 台南是自身成長的故鄉 對於街上的樣貌, 已成為熟悉的視覺印象, 也是私藏的獨家記憶 使用 台南生活自由式, 將台南繪製成插畫並以設計上的動線引導, 將台南印象帶給參觀者, 走入這座美好城市 Taiwanese buildings. By dividing and reassembling the building materials, the designers expressed the 曉房子創意 concept of Floating Stone which means flexibility in a new era. Furthermore, the aging effect is achieved by reflecting the interaction between surrounding environment and design. Moving within the city is a unique way for designers to find inspiration. Tainan is the hometown of the designer; the appearance of every single 湯士賢 street is not only visible in the mind but also private and exclusive memories. This exhibition is based on the illustrations from the book,
4 Southern Lifestyle, with a unique street view and circulation in Tainan, also lead visitors to appreciate the beauty of Tainan. 從你口袋裡拿出來的蠟燭引用並修改經典燭台的造型, Zippoholder 將經典不熄滅的 Adapting the classic shape of the candle holder, Zippoholder is a clever twist 6 Zippo 打火機堆向另一個奇妙 that takes the iconic petrol Intuition & Intuition & 的使用定位 利用其不熄滅的煤 lighters one step further. The 油式打火機特性, 將 Zippo 穩固 quintessence of the design is Options Options 蛋造設計 吸至於燭台淺槽上, 使之成為一根蠟燭 一種高度跳躍性且極富趣味的扭轉 to alter an ever burning Zippo from a lighter into a candle/torch in a clicking instant.
5 In the past few years communication between Taiwan and Japan are more common than ever, but for NIBUNNO- A most of the time, it is 近年台日交流日漸頻繁, 但多僅 unilateral. By the Cultural 限於日本的訊息進到台灣 希望藉由在東京的旅店設計計畫 accommodation project in Tokyo - NIBUNNO, we hope to 7 NIBUNNO- bridge -NIBUNNO, 將台灣的創意文化 bring more cultural creativity BXG 帶至國際 NIBUNNO 是一個旅 of Taiwan to the international 株式會社設計台日交流 between 店 也是台日交流的基地, 將設 level. NIBUNNO is not only an Taiwan and 計過程以易懂的展示來傳達 設計做了什麼? 以及 設計的價 accommodation but also a base for communication Japan 值 between Taiwan and Japan, by holding user-friendly interactive exhibitions to demonstrate What did design do? and The value of design.
6 Designers just like chefs in the 8 CreATE CreATE kitchen, before serving a good 設計師好比餐廳裡的主廚, 在端 plate, it usually underwent a 上一盤好菜前總是經歷了一系 series of cooking process. 列精采的煎煮炒炸過程, 從了解 During the process of knowing 客戶需求 構思備料 執行烹 client's demands, preparing 煮, 修飾擺盤, 一系列精采的步 ingredients, cooking and 驟佐以設計師獨有的美學與個 dishing up, designers always 人特色, 怎麼能不期待最後上桌 try to serve the greatest dishes 的精采設計呢? with their unique aesthetics and characteristics. 李竺潔 Join the fantasy tour~ 以藍天 + 白雲 + 天氣晴為概念 With blue sky, white cloud and 9 來喲, 一起出 遊去! Join the fantasy tour~ 微風吹起了旋轉的線條 layoo wear * 世界概念首度發表攜手合作新銳設計師 JEAN sunny day wind as concept, layoo wear s worldwide launch collaborates with layoo 來喲 簡君嫄 到陣來喲衣起玩! emerging designer Jean for clothes beyond imagination~
7 Your trash, My treasure. Looking for possibilities in 在你眼裡的垃圾, 是我珍惜的寶 abandoned treasure. 物 Recycle, reuse and refine the new meaning of its life. 在廢棄中翻找可能, 將被遺棄的 Combine the new and old, 10 各式再製作品 呈現 Your trash, My treasure 再製, 結合新與舊, 傳承被世代拋棄的曾經, present and past, passing from generations to generations, 愛迪生工業 they are still beautiful. 他們依舊很美, 只是被時間摧殘 Just being ravaged by time 後遺忘, and got left behind. 如果你成為他的主人, If you become his new owner, 感謝你的眼光選擇了他的獨特 Thanks to your unique taste for giving it a second chance to make new memories and to start a new life with you.
8 Regeneration of sunset industry and traditional crafts bring the old spirit to new 夕陽產業的再生, 傳統工藝的再 creativity. The designers of 造 兩種源自古老技藝的精神帶來嶄新創意 ZAZAZOO 帶著中 ZAZA ZOO transform an old uniform brand into exquisite 甲蟲仙生製 11 創意無界 Unbounded Creativity 美牌制服轉型毛小孩的精緻服飾品牌 ; 甲蟲仙生製革室延續傳統工藝的手作技藝, 將皮革製作 clothing for pets. Leather designers of Stagbeetle precede the spirit of 革所 成一件件充滿設計感的皮件精品, 同時也讓作品延伸至生活空 handicrafts among traditional crafts, bringing the ordinary ZAZA ZOO 間之中 leather into various fashionable products and extending their design into daily life for people.
9 The inspiration for this project 12 藍色森林 Blue Forest 如同人的成長, 從出生的新生兒 (New Born)> 嬰兒 (Baby)> 幼兒 (Toddler)> 孩童 (Kid) 分成好幾個系列, 將成長過程作為主軸也呼應著青出於藍這個大主題, 並運用平面的繪本插圖結合服飾的設計, 讓創作本身不單一侷限於圖像, 更能貼近生活 層層生活把台灣懷舊元素重新 帶入民眾的生活中, 從教室裡的 學生椅 月台上的火車等候椅 Define Taste 到外婆家的籐椅, 將各個零件解 13 單椅自造家 構並將其模組化及標準化, 讓每 Create Life 一個使用者能依自我風格創造 出屬於自己的家具, 日後還可依 需求更換高度 零件, 賦予家具 新面貌 is based on the process of child's growth. The designer draws a series of illustrations to tell the story and combine 陳逸珊 with fashion design to create a unique collection for children's life. The creation itself is not limited to the image, but more close to life. From the school chairs, the rattan chairs, to the chairs at the train station, PileUp Life has brought the old-fashioned objects back to your life. We deconstruct a chair down into 9 parts, and we've designed various styles for each 層層生活 component of the chair. Because of standardizing all the components, it becomes easy and fun for the users to mix and match different components made of different materials, textures, or themes
10 to create thousands of different styles of chairs. This process not only extends each chair's life but also adds value and fun into it. Typography 設計的根本是解決問題, 溝通則是在解決問題前設計需要俱備的條件 文字, 自然是溝通上最 The original purpose of design is to solve a problem. Communication is one of the requirements before solving the problem of design. Chinese characters are the most direct and traditional 14 字體實驗創作 直接的傳統工具, 此次的展覽方 tools for communication in our 曾國展 Design 向以文字傳達為核心, 透過設計的介入, 呈現字體在設計當中所 culture. The exhibition shows the typeface design with 能承載的視覺語彙與精神意涵 Chinese characters as the core. Showing the typefaces which include the visual symbol and spiritual meaning by graphic design.
11 15 聲歷其境 Travel with sound Soundtraveller is an APP that 以聲音作為生活體驗的 APP, 在 地理圍欄 (Geo-fencing ) allows users to create a travel scrapbook of sounds. It ranges 的範圍內橫跨 過去 現在 over three space-times, 和 未來 三個時空, 探索該場域的現場聲音與城市故事內涵, 感受其人文精神意義, 最終將穿梭不同時空體驗 聲音地景 的記憶 設計團隊擅長運用特殊畫風的視覺主題特色, 搭配互動式擴增實境效果達到理念宣傳, 透過 AR 技術整合策劃一系列互動展覽 Past, Present and Future. The live sound exploring the location, and the city stories providing cultural and spiritual significances. Via its use of Geo-fencing technology, users are able to experience the sounds recorded in a certain place by previous visitors, enhancing 東方包浩斯目目文創
12 their travel experience. The team hopes to adjust the way we present our ideas by using interactive Augmented Reality. Nowadays, we can see some spaces are designed with the pipelines exposed on the wall. 16 L-S 構成 This time, the designer makes 在一些建物中, 我們會看見管線 the pipes independent and 沿著牆面 角落 邊界, 以線條 uses it to create some new 的形式延伸出空間, 管線不僅是 structures for making furniture 建築中的機能所需, 現在也成為 which can bear loads. Line-to-Space 了成就風格的手段 此次展覽, Furthermore, designer allows 設計師運用壓接管作為材料, 製 the pipeline to be detached 作出可以承重的家具類物件, 以 from the walls, and revolve 及嘗試發展結構, 讓管線脫離牆 into a whole new independent 面, 繞出一個獨立的空間 space. In these works, people can see the structures clearly, and the structures will be the style of this project. 陳思涵 用有形的線轉化, 探索著我們與寵物的生活牽絆 Through the transformation of threads, the exhibition 線加工 17 Line x Life Line x Life 絆 的字義原是指著栓動物的 explores the connection 繩子, 但後來不論中文或日文, 都從具體的事物衍伸成一種看 between people and pet. 絆 (Ban) originally means 拍拍文創
13 不見的抽象概念 本次展覽透過線的不同造型 顏色與動物的表現, 傳達生活中每個人有不同的個性與對生活的態度 並透過設計與民眾互動, 找出代表專屬於每個人內心的羈絆 ~ the rope utilized to tie animals in Mandarin. Now, an intangible meaning and abstract concept have been inserted in this authentic object in both Mandarin and Japanese. The concept of everybody possessing unique personalities and attitudes towards life has been shown in the exhibition, through the different shapes, colors of threads and animal forms. We are dedicated to finding out in-depth 絆 (Ban) of individuals via this interactive design.
14 Recently, as global warming becomes ever more serious. People keep pursuing the advancement of technology and civilization, however, the resources we can benefit from 18 鹿月 Earth gradually reduces. 全球暖化的問題越趨嚴重, 人們 Maybe it is time for us to 一味追求科技文明 卻讓地球資 pause and let nature come 源逐漸匱乏, 或許是時候停下腳 The Moon of back to our lives. 施真穎步, 讓自然重返到我們的日常生 In this exhibition, we invite 活中 我們邀請了竹扇師傅做技 Lukang craftsmen skilled in circular fan 蔡佳豪術合作, 以傳統的製扇技術結合 art as our technical consultants 新的設計美學, 也希望藉此將職 and collaborator, but the 人們的人生智慧分享給大家 unconventional design of circular fans combines ancient weaving technique with new design aesthetics. We also want to take this opportunity to share craftsmen s wisdom of life with everyone. 隨處可見的各種標示與箭頭, 皆 The signs and the arrows we Wayfinding 丁權偉屬於所謂的 Wayfinding have seen every day, are 19 設計工作現場 System 我們日常移動所 belong to the so-called Design Scene: 俞思安 仰賴的指示系統 ; 而其所包含 "Wayfinding System" a
15 Where, How, and What 的不僅僅是幾個箭頭而已 此展覽將透過幾種簡單的分類與說明, 來剖析 指示系統策略與設計 背後複雜且涉及各種層面的分析思考 design that helps us move around. But it is more than just arrows. This exhibition introduces the Strategy and Design of the Wayfinding System, by showing the process of thinking and analysis behind. Light Server / 青出於藍, 青與藍皆是色系譜上同色相位置的顏色, 擁有同樣本質的兩色, 因接觸外在因素不同而成為不同顏色 此次新銳展以 A Chinese idiom said, Green comes from blue, but excels it. Located In the same position of the color spectrum, green and blue are two colors with the same nature but different due to contact with external influences. In this 20 青 出於 藍 House / Skelock 衍生 附加與變形, 透過三項 KANARI 主要作品探討 青出於藍 的意義, 藉由了解產品背後意涵, 進而認識 發掘其代表真正本質 exhibition, KANARI uses 3 products to discuss the idea of Green comes from blue, but excels it by derivate, adhere, and deform the items; understanding the meaning behind products helps discover the essence of the items. Kanari
16 By creating models of Chinese tableware and dining furniture 21 台南食記 to present the atmosphere of 呈現傳統家庭中用餐的氛圍, 以 traditional family dining time 食器和用餐家具展示家裡吃飯 at home. Exhibition works are 的感覺, 展覽作品擺設於圓桌及 Dining culture put around the table and 周邊, 搭配說明 介紹, 讓參觀米希 " 的 " 微 accessory, inviting the 者可近距離觀賞並感到熟悉親縮世界 of Tainan audiences to investigate 切, 一探桌上的佳餚, 藉以傳達 delicious dishes and 台南的常民生活與家庭文化記 appreciate them in close 憶 distance, to convey the ordinary life of Tainan and family cultural memory. 台灣在天然資源薈萃薰陶下產出 Taiwan is blessed with wealth Past and over 許多原料, 而石材與木材 ( 或漂流 of natural raw materials, and 木 ) 是東部藝術創作經常使用的材 stone and wood (or driftwood) again_ 料, 前者冷冽堅毅, 後者溫潤手 in particular are materials that 從前 現再 _ 東感, 兩者的形成都見證了時間並象 are frequently used by eastern Exhibition of 徵著歷久彌新的精神 我們廣邀設 artists. The former is cold and 22 部異材質設計計 藝術工作團隊, 透過設計將時 resolute, while the latter gives composite 聯展 間累積的產物作為原料, 透過現代 a warm feeling, but both of materials 膠合技術與複合材質的詮釋, 封存 these materials provide a 我們記憶中的時間, 重新定義我們 testimony for the passage of design 被侷限的既定秩序 time, and are symbols of 主題採用多元詮釋的時間觀, 讓設 timelessness. We invite teams
17 序展品名稱 ( 中 ) 展品名稱 ( 英 ) 展品介紹 ( 中 ) 展品介紹 ( 英 ) 品牌設計師展品圖片號計師們自由駕馭東部的天然材 of designers and artists to 料 ; 以多樣的表現形式, 賦予傳統 archive the passage of time in 產業及文化創新向上的動力, 讓青 our memories and redefine 出於藍的可能與想像在東部發生 the rules that have previously restricted us, through designs using raw materials produced by the accumulation of time, and interpretations of modern gluing techniques and composite materials. Time perspectives with multiple interpretations are used in this topic to allow designers to freely manipulate the natural materials of the east; through a variety of expressions, we provide traditional industries and cultures with the impetus to innovate and elevate themselves, so that possibilities and ideas eclipsing those of the past may emerge in the east.
18 Hualian has some of the most beautiful mountains of Taiwan and the most scenic landscapes can be found by 瀲灔 立 Billow. Liwu 1 霧 River 作品 1: 星球皂台 celestial 2 作品 2: 綜 Platter 合拼盤文 台灣山川之美在花蓮, 花蓮風景之 the Liwu River. The materials of 最在立霧溪 用花蓮在地所能取得 the local site, stones, and the 的邊材料, 以石材及漂流木留住這 floating woods have been 屬於立霧溪最美的風景 置身於這 preserved intact to maintain, 劉加和靜謐 風景優美的環境, 彷彿使人 the original scenery of the 忘卻了塵俗中的煩惱, 忘卻了那追 Liwu River. 趕著我們的時間 Immerse yourself in this quiet environment, remove yourself from the stress of everyday life, and enjoy the sense of being frozen in time. Fusion of visual delight and 以視覺融合, 再以觸覺感受不同 sensuous touch! 大理石紋與手工皂, 一個沉穩, 一 The marble pattern and hand 個柔和 ; soaps are different to touch. 穩重的拿來當基底, 柔和的拿來感 Marbles are steady and hard, 受觸摸 while the hand soaps are 以石頭廢料為底座, 加上調和仿石 gentle and soft to touch. 紋的手工皂, 乍看全部像是石頭的 The stone scrap as the base 材質, 實際觸摸 使用卻是踏實的 and the pattern of hand soaps 手工皂! on top makes the whole dish 不只是行銷公司
19 具台 look like a marble ball. But on touching it, you realize that it is a really a gentle hand soap! 3 利用雕刻創作過程中產生的下腳 This concept is based on a 石材, 針對不同的石種與特徵, 創北極熊的 The site of polar bear in its living habitat. 作當代所重視的環保議題 本次美立仁生工 Using Hualian white marble to 北極熊的地盤, 以花蓮白大理作室地盤 Polar bear create this work symbolizes 石創作大白熊找到可以維生的棲 the resurgence of the earth. 息大陸, 象徵地球的復甦 4 The surplus of Hualien's unique marble obtained after processing is combined with metal to create a new kind of 作品 1: stone material. 使用花蓮特有石種加工時產生的 Utilizing the stone's 酒醄 Jiu-Tao 餘料與金屬結合來推廣石材 利用 characteristics and 石材特性, 結合紅酒保存所需要的 understanding the 條件來製成這套酒器 藉由石頭 requirements for wine storage, 與金屬的配重來讓酒器達到平作品 2: Whirl Blue this is used to manufacture 衡, 隨著酒瓶拿起, 重量改變產生 wine ware. 晃動讓使用者感受到微醺的意象 洄藍 Adjusting the balance weight portion between the stone and metal allows for the bottle weight to shift while lifting it producing a swaying effect as 林冠宇
20 if the user is feeling slightly drunk. 5 什石皿峕 Crescendo marble dining ware Designed to capture the lavish 剛剛好的奢華組合 experience of dining on 器皿的造型運用基本的幾何圖形 artisanal French pastry, the 做變化, 是為了更襯托法式點心的 Crescendo dining ware uses a 風采 搭配上金色立體弧線造型, luxurious blend of marble and 凌晨工作室不僅讓使用時容易拿取 收納堆疊 gold. Its stylish, clean and 時不佔空間, 在品嚐精緻的手工點 modern profile makes it the 心時, 更能享受一場味覺 嗅覺和 perfect backdrop to French 視覺的生活體驗 pastry, appetizers and cheeses. Techniques are used on the 作品 1: 使用石材剩材為主要材料, 配合花 stone remaining as the main 蓮二次加工切割技術與純熟的手 material after Hualien 6 享念 Sharing 工技法, 保留剩材天然的紋路 經 secondary processing and 由設計後, 再一次的切割及加工, cutting technology to retain 在加工上提倡使用不過多的工 the natural grain and design. 高鄧麗娟 作品 2: Connect 序, 以基本的加工 ( 水磨 定厚 細修 ) 為主要流程 進而搭配木材 Without further processing, it is used along with wood and 繫動 及其他材質, 讓商品更豐富也擁有 other materials to make an 新的價值 abundant number of new products of value.
21 Neon light tubes combined AURA 將大理石圓管表面紋理 with white Mist Marble create 特色, 以霓虹燈光照射出光澤反 the multi-angle reflexive 射, 整體以霓虹燈管結合大理石圓 lighting pattern through 管方式, 透過不同角度及擺放方 different angles to diffuse the 7 AURA AURA 向, 可營造出不同的光線型態, 擴 lighting visual effect and bathe 散光感視覺, 氛圍渲染空間 功能 the space in the atmosphere. 部分可作為邊桌使用, 搭配原有傢 Whether use solely or 俱亦可作為情境擺飾品運用, 改變 overlapped, Aura presents 居家視覺效果, 將花蓮石材之美以 various and unique life style. It 黑生起司 藝術高價值層次進入現代生活當中 is not only a decorative piece of furniture but also an atmosphere light. The Islands is a series of stationery made of marble. It 島嶼系列是由大理石製成的桌上 represents the gorgeous 文具, 概念源自於台灣的自然山河 landscape of Taiwan, 與人力拓墾的通衢交織而出的美 composed of mountains, rivers 麗地貌, 將其收斂 重現成為辦公 and artificial constructions, as 8 島嶼系列 The Islands 桌上的美景 a tiny view on our tables. 葉銘杰 岩石自然的斷裂面與洗鍊的切割 The natural-cracked surfaces 面兼容於一體, 並且每個裂面都是 and clear-cut surfaces form an 獨一無二的 interesting conflict. Moreover, every cracked surface following the texture of marble
22 and becoming unique makes "The Islands" more attractive. 9 流 Streaming Streaming - created by utilizing the colors and transparency of rock flakes, 流 - 利用石材的顏色及透光性 the natural edges formed a 以及自然的邊緣, 構成一條裂縫猶 crack, as if the stream of time. 如時間的河流 再以木框包裹並安 The light fixture is framed by 裝 LED 燈條 ( 黃光 ) 製成可掛 可 wood as well. It can be hanged 立 可平放 ( 長短邊 ) 的燈具 on the wall, lean on a wall (long or short edge of light fixture), or lay on a table. 謝志偉 10 永恆 結 Eternity Knot Knotted knot technique is the 繩結技法是古代傳統著名的技 ancient tradition of famous art, 藝, 結合歷史文化背景與手工技 combined with historical and 法, 為一種古今文化傳承的概念, cultural background and 再加上現代金屬 3D 列印並添加 handmade techniques as a 其他複合材質, 如石材與漂流木的爵形設計 concept of ancient and 妝點, 讓作品更有精湛巧思的呈 modern cultural heritage, 現, 勾勒出歷史的推移, 將古代技 combined with modern metal 藝與現代 3D 列印科技都詮釋得 3D printing, and add other 淋漓盡致 composite materials, such as
23 stone and drift wood makeup, More superb ingenuity of the show, outline the history of the passage of time, the ancient skills and modern 3D printing technology are interpreted most vividly. Several first image of the East Taiwan are the very sunny day, or the place of sun rises, otherwise sun rises from the 11 sea level of Pacific Ocean. 日昇東方, 太平洋海面升起的曙 Those are what most people 光 夏日高照的艷陽, 後山日先照 would think of when talking 經緯 / Sundial/Gravit 向來是東部予人的第一印象 經 about the east. 緯 - 嘗試以天然石材結合互動裝 The Sundial was 重力 y 置設計, 計算經緯度 投影角度與 integrated by nature stone 晷面傾角, 創造一縮現光影運行奧 and Arduino development, 秘的氣氛燈飾 with latitude and longitude, projection and inclined plane s angle calculation; it is a light decoration which presents sun revolves mystery. 邱郁翔
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