Curated by Jianhua Shu & Xinru Xu & Gege Zhu 策展 : 舒建华徐心如朱戈戈王文宾瓷艺展古调 Rebirth of Classic: Porcelain Exhibition of Wang Wenbin

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1 Curated by Jianhua Shu & Xinru Xu & Gege Zhu 策展 : 舒建华徐心如朱戈戈王文宾瓷艺展古调 Rebirth of Classic: Porcelain Exhibition of Wang Wenbin

2 目录序言〇一自作品〇八简七序〇十三介七

3 contents 03 preface 07 ARTIST's preface 08 PLATES 73 biography

4 多年以前,我听人谈论宋词之美,突然冒出龙泉窑来错愕之余,才发现原来主题是宋瓷之美, 词瓷同音,我误会了事后一想,这也是个美妙的误会比起唐诗的青春和激昂,宋词更显得成熟和深密;比起唐三彩的绚丽和张扬,宋瓷更显得素雅和沉静这样说来,宋词和宋瓷可以不分彼此,足可象征宋代文化史学大师陈寅恪先生尝言: 华夏民族之文化,历数千载之演进,造极于赵宋之世收藏大家王季迁先生也曾感叹: 中国人艺术品味之败坏,蒙元是一厄,明朝稍有补救,而满清又是一厄,自此不可收拾我们只要把清三代的粉彩官窑瓷器元青花和宋瓷稍一比较,即可印证王先生之言我向来不是个悲观主义者,坚信今日之中国,只要经济繁荣民生安定思想自由,艺术创作和鉴赏的品味自然能够提升近十年来,我一直很留意河南河北江西浙江陶艺家们复兴宋瓷的成果,尤其是对浙江龙泉青瓷的新作品继承中有创新,有深刻的印象非常感谢中国财税博物舘吕建富副舘长的引见,我有机会认识龙泉青瓷艺术家王文宾先生,两年来八次去他的工作室参观和求教文宾长我一岁,生于浙江西南部的遂昌县,爱青瓷入骨,一九九二年辞去中学教职,投入全部的心力和财力,去邻近的龙泉县学习研制青瓷,在当地瓷艺专家杨永祥刘章生等悉心指导下,用了十年的时间解决了瓷泥釉水上的难关,成了龙泉青瓷的后起之秀他的多件作品在省级和国家级的评比中获得大奖,作品天心被北京中南海紫光阁珍藏他创制的乌金釉艺品,保持了青瓷沉稳素净的底气,同时增添了厚拙的金石气在杭州钦哲艺术中心的大力支持下,硅谷亚洲艺术中心有机会在二〇一三年十二月二十四日到二〇一四年一月十二日间展出王文宾一百二十件作品,这是他过去两年时间里全部心血所系作品有青瓷和乌金釉两大类,以笔筒笔洗香薰印盒水器等文房用品为主,因此,展览定名古调它和古人古调虽自爱,今人不多弹的顾影自怜没有什么关联文宾的坚韧英气才情以及我们大家对他作品的热爱,使古雅中洋溢着创新的力量陈寅恪先生赞叹宋代文化成就之高,说后见衰微,紧接又补了一句终必复振我很愿意引用最后终必复振四字,与文宾共勉,也与观众朋友们共勉序言硅谷亚洲艺术中心舘长舒建华二〇一三年十一月01 02

5 PREFACE Many years ago, I ve heard people taking about the beauty of Song Poetry (ci), and suddenly, Longquan kilns were mentioned. I was surprised to find out that the topic was actually The Beauty of Song Porcelain. The pronunciations of poetry and porcelain are the same in Chinese. It was my misunderstanding, yet it was brilliant. Compared with the verdancy and heat of Tang Poetry, Song Poetry seems more mature and profound; compared with the tri-color glazed pottery of Tang, Song Porcelain seems more elegant and tranquil. Without discriminating between the two, Song Poetry and Song Porcelain are both sufficient to represent the culture of Song Dynasty ( ). Chinese culture, after thousands of years of evolution, pinnacles in Song Dynasty, as said by Master historian Chen Yinque. C. C. Wang, the great connoisseur and collector, also commented, Chinese people s artistic taste corrupts in Yuan Dynasty, then improves a bit in Ming Dynasty, and corrupts again in Qing Dynasty, thereafter, unmanageable. C. C. Wang s assertion shall be proved since Song Porcelain has taken the shine out of Qing s famille-rose porcelain and Yuan s blue and white porcelain. I am never a pessimist, that I believe that China today, as long as economy is prosperous, livelihood is stable, ideology is unrestrained, the taste of artistic creation and appreciation will naturally be improved. In recent ten years, I ve been keeping eyes on the revival of Song Porcelain by the porcelain artists from Henan, Hebei, Jiangxi and Zhejiang Provinces, and was especially impressed by the innovation of Zhejiang Longquan celadon. Thanks to the Vice Curator Lu Jianfu of China Finance and Taxation Museum, I was introduced to Longquan celadon artist Mr. Wang Wenbin and visited his studio eight times in the past two years. Wenbin, one year older than me, was born in Suichang County in southwest Zhejiang. He loves celadon so much that he resigned his teaching position from a middle school and devoted all his efforts and financial resources to studying celadon in the nearby county Longquan. Under the guidance of local porcelain artists Yang Yongxiang and Liu Zhangsheng, he spent ten years and finally overcame the obstacles of clay and glaze, and became a rising star of Longquan celadon. Many of his art works won provincial as well as national awards. One piece of his work Heavenly Heart was collected by the Purple Pavillon of Zhongnanhai in Beijing. His innovation of black-gold glazed porcelain maintains the peaceful and pure nature of celadon, and meanwhile, sparkles metallic spirit of it. With the great support of Qinzhe Art Center of Hangzhou, the Silicon Valley Asian Art Center has the opportunity to present 120 pieces of Wang Wenbin s porcelain works between Dec. 24, 2013 to Jan. 12, These porcelain works occupied all his past two years. They fall into two categories: celadon and black-gold glazed porcelain, including traditional treasures of a scholar s studio, such as brush holders, brush washers, incense burners, seal ink pad cases, water containers, etc. Thus, this exhibition is entitled the Rebirth of Classic (direct tranlation as Ancient Tune). It is not relevant to the famous poem although the ancient tune is my favorite, yet people don t play it often nowadays. Wenbin s fortitude, heroic spirit, talent, and our preference over him make the classic elegance fill with the power of innovation. Mr. Chen Yinque gave high praise to the cultural achievements of Song Dynasty, saying gradually declined afterwards, however, eventually will revitalize again. I am willing to quote his last statement eventually will revitalize again to mutually encourage with Wenbin, 04 03

6 as well as the audience. Jianhua Shu Curator, Silicon Valley Asian Art Center (English translation by Xinru Xu) 06 05

7 自序王文宾二〇一三年十一月二十九日从事陶瓷艺术创作整整经历了二十年了,回顾自己,能走上陶瓷艺术之路,是偶然中的必然吧!一九六八年出生在浙江小县遂昌的我,由于当年的现状始然,二十二岁之前,从未接触过甚至听说过陶艺,而且大学读的是历史专业,毕业后就在家乡一所中学任教一九九〇年一次偶然的机遇结识了我的启蒙老师杨永祥(一九三一二〇〇七)先生,杨老先生是龙泉人,是共和国最早成长起来的老青瓷艺术家,也是当代龙泉窑中做传统陶瓷人物雕塑的第一人看到老人家的青瓷作品时,对我的内心冲击和震撼是非常强烈的青瓷那无与伦比的温润质感一下子就把我的心征服了我心从此刻起就皈依了那如玉如冰的青瓷内心与现实经过了三年的斗争,内心是对那一抹青釉的向往和挂念,有将整个身心托付给它的无比冲动现实是,人必须要生活,我本身有不错的工作和稳定的收入,而另一面是当时的青瓷现状是工厂倒闭,青瓷从业者失业,最终还是听从了内心的召唤,违背了父母的意愿,决然的抛职从艺了一九九三年孤身一人来到了青瓷的宗地龙泉得到了杨老先生等几位恩师之助,创办了龙泉秦漠古陶瓷研究所,成为浙江最早的民营陶瓷研究机构当时的我是一个专业不强的青年,一个没有根基的外乡人,一个面临生存危机的汉子,回想那过去,虽然万般艰辛,但我内心快乐,因为我在做自己喜欢做的事,而且它还能养活自己就这样,在青瓷的宗地龙泉生活了十年,探访了龙泉的所有古窑址,对所能认定的瓷釉矿料经过大量烧制实验,自认为已完成了龙泉窑制作工艺的破解而此时的龙泉窑青瓷也已开始被世人认可,市场大为好转了按理,应是我收获的季节到来了,但是我心里又开始彷徨了,从事了十年的青瓷研究,应该是我在做青瓷呀,怎么感觉不对,是青瓷在做我?从古人的诗词中我找到了答案:庄子曰: 我梦蝴蝶,蝴蝶梦我李白说: 相看两不厌,只有敬亭山辛弃疾说: 我看青山多妩媚,料青山看我应如是那我便是:我做青瓷,青瓷做我!这才发现,我皈依青瓷,心怀虔诚,不单单是青瓷那美妙温润的表相,而是它那谦谦君子般的品性我是这样理解如玉如啄的青瓷的:青瓷如玉,就像水漾漾的江南,温暖湿润,那是水火于其中的温润,那是万物于心的温润青瓷如冰,犹如一面精清的镜子,明,净且淡泊素雅,那是水火于其中的洗涤,那是万物于心的洗涤其声如罄,犹如一缕清风透过,神清气爽,那是水火于其中的致和修养,那是万物于心的出和雅静为了更好地走自己的陶艺之路,不能再呆在龙泉了,不是它不好,而是它太舒服了,我该启程了二〇〇三年一个机缘的降临,老家遂昌欢迎我回乡,并给了我很多照顾,于是一个理想中的陶艺工作室诞生了,靠山面水,幽静清新有好的工作环境,也遇到了好的良师益友结识了沈阳鲁迅美术学院陶艺系主任刘宏伟教授,在亦师亦友的刘大哥言传身教下,使我的眼界开阔起来陶艺是一门泥与火的学问,作品不但有美丽的外在表相,更应该有作者赋予的灵魂,用泥与火的特定表达方式,把陶艺家的大胸怀用火把泥烧结凝固哦!我明白了!我原来皈依的青瓷是它的品性,它有如宽厚大地的生命的本色,也如浩瀚蓝天的本色呀!难怪我如此顶礼膜拜青瓷的青我时常会对着天空发呆,尤其是皓月当空,繁星点点,深邃幽远的无边无际的夜幕,它能给我最大的遐想空间有昼就有夜,有青就有黑夜空的玄色如此美妙,于是又有了对玄黑的着迷青色和玄黑的完成,才能构成了一种我内心的圆满,我开始了已璀璨夜空为目标的乌金玄釉研究先哲说过: 理须顿悟,事须渐行为此开始了长达六年的探索,在我努力践行研究乌金玄釉的行程表上,有缘遇到了美籍华人国际陶艺家王俊文先生,并与他合作,王俊文先生是瓷釉研究的大成就者,他的液液分相釉研究成功,给了我很大的启发乌金玄釉的研究历程是我人生历程中的一次精神升华,思想的境界从单纯的陶艺角度再度开放,从作者的自我表现为主转到了一个人文主义关怀的角度创作作品这样的情怀下,我决定再次启程离开小城,走到更大的地方历练自己,开阔自己的胸怀,吸取更多的营养经过恩师益友的帮助,二〇〇九年落户杭州白马湖生态创意园,开始了我自认为是以器做道的历程,面对纷华的婆娑世界,内心和行动要保持一致,无论结果如何,认认真真把人做好,认认真真把作品做好,一晃在杭州已历五载,每天踏踏实实,看书做陶,心有所悟,则手游所做无论别人对作品如何评价,做出真正的自我,这才是最要紧的秉承各位师友的抬爱,促成此次的美国展览首先感谢吕建富老师的倾力支持,感谢刘云老师的无私关照,感谢钦哲艺术机构的全力支持,特别感谢美国硅谷亚洲艺术中心舒建华舘长的支持才能使本次古调今韵陶瓷展成为现实!07 08

8 9 青瓷8

9 冰片纹D:15.8cm 旋纹笔H:16.5cm 筒

10 梅子青竹形笔筒D:13cm H:15.5cm 片纹尊式笔筒D:13.5cm H:13cm 2012 冰

11 青釉渣斗D:13.5cm H:10.2cm 冰片纹葵口渣斗D:14.6cm H:13.8cm 2012 粉

12 冰片D:24cm 纹葵形H:5.8cm 水洗

13 石笔舔L:26.7cm H:5.5cm W:20cm 19 仿

14 片纹旋纹洗D:25.5cm H:6.5cm 粉青紫口牡丹纹洗D:27.5cm H:8cm 2012 冰

15 冰片纹D:16.5cm 鬶式炉H:12.5cm 22

16 青釉镂空盖炉D:13.5cm H:6.5cm 粉青釉叠翠炉L:18.2cm H:8.1cm W:11cm 2012 粉

17 白釉水盂D:14.5cm H:8.5cm 冰片纹三足笔筒D:14.2cm H:15.7cm 2012 月

18 片纹瓷盒D:17.5cm H:8cm 冰片纹笔筒D:14.3cm H:13.7cm 2012 冰

19 石红记忆之一D:30cm H:5cm 31 火

20 冰片D:10cm 纹花器H:17cm

21 冰片纹D:13.3cm 觚形花H:20cm 器

22 片纹蔗段洗D:20.7cm H:8.6cm 37 冰

23 火石红D:22.5cm 记忆之H:15.3cm 三

24 荷之D:24cm 舞之一H:22cm

25 之舞之二D:22cm H:22.5cm 43 荷

26 汝2013 窑棱纹文具组45 仿44

27 子2012 青竹意文具组47 梅46

28 金玄釉49 乌48

29 金玄釉瓣式笔筒D:14.3cm H:15.4cm 51 乌

30 螭纹笔舔L:27cm H:7cm W:24cm 53 蟠

31 乌金玄D:13.8cm 釉冲天H:12.8cm 耳彝炉

32 乌L:18.5cm H:11cm W:8cm 2012 金玄釉叠翠炉58 56

33 乌金玄D:12.5cm 釉盖罐H:16cm

34 金玄釉兽钮炉D:13.6cm H:13.2cm 61 乌

35 乌金玄D:10.5cm 釉贡瓶H:14.5cm 花器

36 金玄釉法盏炉D:11.1cm H:10.2cm 乌金玄釉朝冠宫炉L:15.5cm H:12.7cm W:11.2cm 2012 乌

37 金玄釉饕餮纹洗D:25cm H:10.7cm 乌金玄釉折边洗D:25cm H:7.5cm 2013 乌

38 金玄釉彝炉L:18.5cm H:12cm W:10.5cm 69 乌

39 乌金2012 玄釉海棠文具组71

王文宾职业陶艺家中华民族团结进步协会艺委会委员高级工艺美术师浙江省青瓷行业协会理事中国工艺美术学会会员浙江省考古协会会员主要业绩二〇〇一年斗笠碗忆泓首届杭州国际民间手工艺品展金奖二〇〇二年休闲日用品系列第七届全国陶瓷艺术设计创新评比三等奖二〇〇二年作品甘霖国际民间手工艺品展览金奖二〇〇二年作品天心被中国中南海紫光阁收藏二〇〇三年作品三羊开泰

40 王文宾职业陶艺家中华民族团结进步协会艺委会委员高级工艺美术师浙江省青瓷行业协会理事中国工艺美术学会会员浙江省考古协会会员主要业绩二〇〇一年斗笠碗忆泓首届杭州国际民间手工艺品展金奖二〇〇二年休闲日用品系列第七届全国陶瓷艺术设计创新评比三等奖二〇〇二年作品甘霖国际民间手工艺品展览金奖二〇〇二年作品天心被中国中南海紫光阁收藏二〇〇三年作品三羊开泰首届中国陶瓷艺术展览银奖二〇〇四二〇〇八年经文宝瓶加入中华民族团结进步协会艺委会委员二〇〇九年作品江南记忆入选十一届全国美术展览二〇〇九年作品江南记忆浙江工艺美术精品博览会金奖二〇一〇年作品道之器系列全国陶瓷艺术展览银奖二〇一一年作品天趣西博会工美展银奖二〇一二年作品公德天下浙江工艺美术精品展银奖二〇一三年作品绝色风荷系列浙江工艺美术精品展金奖简介73

41 硅谷亚洲艺术中心 Silicon Valley Asian Art Center 钦哲文化艺术 QIN ZHE CULTURE

硕士学位论文论文题目 : 北岛诗歌创作的双重困境专业名称 : 中国现当代文学研究方向 : 中国新诗研究论文作者 : 奚荣荣指导老师 : 姜玉琴 2014 年 12 月

硕士学位论文论文题目 : 北岛诗歌创作的双重困境专业名称 : 中国现当代文学研究方向 : 中国新诗研究论文作者 : 奚荣荣指导老师 : 姜玉琴 2014 年 12 月硕士学位论文论文题目 : 北岛诗歌创作的双重困境专业名称 : 中国现当代文学研究方向 : 中国新诗研究论文作者 : 奚荣荣指导老师 : 姜玉琴 2014 年 12 月致谢文学是我们人类宝贵的精神财富两年半的硕士学习让我进一步接近文学,

Curated by Jianhua Shu & Xinru Xu & Gege Zhu 策展 : 舒建华 徐心如 朱戈戈 王文宾瓷艺展 古调 Rebirth of Classic: Porcelain Exhibition of Wang Wenbin

Curated by Jianhua Shu & Xinru Xu & Gege Zhu 策展 : 舒建华徐心如朱戈戈王文宾瓷艺展古调 Rebirth of Classic: Porcelain Exhibition of Wang Wenbin